Shirlee Emmons is a voice teacher of considerable renown. She has
taught at Columbia, Princeton, Boston, and Rutgers Universities, as
well as at universities in Korea and Austria. She is author of
Tristanissimo and co-author of The Art of the Song Recital, and
Power Performance for Singers. She is an Obie award-winning singer
and the first and only female Chair of the prestigious American
Academy of Teachers of Singing.
Constance Chase is a conductor and voice teacher noted for her
expertise in training choirs and singers in vocal technique and
performance. As Director of the Cadet Glee Club, United States
Military Academy at West Point, she conducts scores of concerts,
live national television appearances, and recordings for film and
commercial release.
"As a conductor with more than thirty years' experience, I found
this book to be rigorous, comprehensive, and dynamically
user-friendly. The book presents an abundance of practical tools.
The less experienced conductors will find this book indispensable
and immediately accessible. This is a must read for choral
directors at any level as well as for singers and teachers of
singing.--American Music Teacher
"This book provides a wealth of vocal information for choral
conductors, ranging from matters of basic technique to physical
health and the effects of various medical conditions on singing.
Facilitating good singing in the choral ensemble benefits everyone
and serves to break down barriers, true or false, between the
singer as a 'soloist' and the singer as a choral musician. This
should be an essential addition to every choral conductor's
reference
library."--Hilary Apfelstadt, Professor of Music and Director of
Choral Activities, The Ohio State University
"Adopting a unique format, Emmons and Chase have authored a text
for every Choral Director and student of choral singing. Providing
clear and concise answers to the fundamental questions of vocal
technique and choral leadership, this is a text that will be read
and re-read again and again. It should be a staple in every choral
musician's library."--Donald Simonson, Professor of Music Voice
Division Chair, Iowa State University
"The doctor is in! Prescriptions for Choral Excellence is the
medicine that choral directors and singers need for success.
Applying the latest principles and techniques of leadership
psychology, this detailed guide is an invaluable resource for
meeting many of the demands that all directors face."--Marshall
Goldsmith, executive coach and author of The Leader of the Future,
Coaching for Leadership and Global Leadership: The Next
Generation
"This book provides a wealth of vocal information for choral
conductors, ranging from matters of basic technique to physical
health and the effects of various medical conditions on singing.
Facilitating good singing in the choral ensemble benefits everyone
and serves to break down barriers, true or false, between the
singer as a 'soloist' and the singer as a choral musician. This
should be an essential addition to every choral conductor's
reference
library."--Hilary Apfelstadt, Professor of Music and Director of
Choral Activities, The Ohio State University
"Adopting a unique format, Emmons and Chase have authored a text
for every Choral Director and student of choral singing. Providing
clear and concise answers to the fundamental questions of vocal
technique and choral leadership, this is a text that will be read
and re-read again and again. It should be a staple in every choral
musician's library."--Donald Simonson, Professor of Music Voice
Division Chair, Iowa State University
"The doctor is in! Prescriptions for Choral Excellence is the
medicine that choral directors and singers need for success.
Applying the latest principles and techniques of leadership
psychology, this detailed guide is an invaluable resource for
meeting many of the demands that all directors face."--Marshall
Goldsmith, executive coach and author of The Leader of the Future,
Coaching for Leadership and Global Leadership: The Next
Generation
"As a conductor with more than thirty years' experience, I found
this book to be rigorous, comprehensive, and dynamically
user-friendly. The book presents an abundance of practical tools.
The less experienced conductors will find this book indispensable
and immediately accessible. This is a must read for choral
directors at any level as well as for singers and teachers of
singing.--American Music Teacher
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