About the Author

David Roche, Montpellier, France, is professor of film studies at the Université Toulouse-Jean Jaurès, France. He is author of Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To?, editor of Conversations with Russell Banks, and coeditor of Comics and Adaptation, all three published by University Press of Mississippi.

Reviews

David Roche's comprehensive analysis of the metafictional and metafilmic aspects of Tarantino's oeuvre is the study we have been waiting for. Integrating previous readings and theoretical examinations, he creates a new command of the how and most importantly the why of the 'meta' in the director's philosophy, style, and as a platform for political engagement. Meticulously detailed and exceptionally readable, it will surely take Tarantino studies to a new level, as it renews interest in his cosmopolitan cinematic models and persuasively deals with aspects of the director's maturation.--Robert Dassanowsky, editor of Quentin Tarantino's "Inglourious Basterds" A Manipulation of Metacinema

David Roche's cultural and formal analysis of the films of Quentin Tarantino breaks new ground in evaluating Tarantino's significance as a commentator on identity politics and a proponent of postmodern strategies within contemporary cinema. Meticulously researched, exhaustively (in a good way) detailed, and carefully reasoned, this book is must reading. It also makes me want to re-watch all of Tarantino's movies!--Janet Staiger, William P. Hobby Centennial Professor Emeritus, University of Texas at Austin

Roche's combination of theoretical sophistication, intellectual rigor, and magisterial analyses of sequences, down to the smallest details of individual shots, provides a quite riveting presentation of Tarantino's cinema. The author articulates questions of race and class, gender and power, and politics and history in ways that are both convincing and revealing. They enable him, for instance, to show the complex and often critically neglected relationship between history and cultural history. This aspect of Roche's study is further reinforced thanks to his unfailing attention to details such as color and dress, framing, camera movements, and the off-screen. His discussion of Tarantino's cinema as metafiction is most subtle and opens up new vistas for future studies of the director.--Reynold Humphries, author of Hollywood's Blacklists: A Political and Cultural History

This book is a long-overdue scholarly exploration and appreciation of Tarantino's oeuvre. Often misunderstood as postmodernist exercises in style, the films of Quentin Tarantino are complex in the best sense of the word. The quotes, allusions, and pastiches of prior images, films, and genres--some explicit, some quite subtle--unmask and undermine the rules of representation that govern these filmic texts. Taking the comparative approach, David Roche explores the various sources of Tarantino's feature films and points out that Tarantino's movies aim at the repressed libidinous desires that propel most filmic genres, thus effectively criticizing the racism and sexism that drive American popular cinema.--Oliver C. Speck, editor of Quentin Tarantino's "Django Unchained" The Continuation of Metacinema

Well-written and well-documented, David Roche's contribution to the study of Quentin Tarantino's work may be the best book to date on the iconic director. Roche's obvious passion for his material does not preclude rigorous analysis, but rather serves it, driving his desire to critically engage with the films while drawing the reader in in the process. The quality and precision of formal analyses are exemplary, while the demonstrations are led with clarity and taken to astute conclusions.--Hervé Mayer, Université Paul-Valéry Montpellier 3 "InMedia: The French Journal of Media Studies"