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Racism, Misogyny, and the Othello Myth
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Table of Contents

Introduction: Othellophilia; 1. White devils, black lust: inter-racialism in early modern drama; 2. The heathen with the heart of gold: Othellophilia comes to America; 3. Holes at the poles: gothic horror and the racial abject; 4. Sisters in bondage: abolition, amalgamation, and the crisis of female authorship; 5. Handsome devils: romance, rape, racism, and the rhet(t)oric of darkness; 6. Invisible men, unspeakable acts: the spectacle of black male violence in modern American fiction; Conclusion: 'White women are snaky': jungle fever and its discontents.

About the Author

Celia R. Daileader is Associate Professor of English in the Hudson Strode Program in Renaissance Studies at the University of Alabama. She is the author of Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible (Cambridge, 1998), and has published numerous articles on feminist theory and criticism, critical race studies, and Renaissance literature. She is co-editor with Gary Taylor of John Fletcher's The Tamer Tamed, and co-editor with Rhoda Johnson and Amilcar Shabazz of Women and Others: Racial and Gender Difference in Anglo-American Literature and Culture.

Reviews

'This exploration by Celia R. Daileader of the interrelatedness of racism and sexism is insightful, relevant and clearly written.' New Theatre Quarterly

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