Table of Contents

Introduction: In and Out of Place: Engagements in South Asian and Islamic Art History

Deborah S. Hutton and Rebecca M. Brown

Part I: Experiencing Place

1. "And in the Soup Kitchen Food Shall Be Cooked Twice Every Day": Gustatory Aspects of

Ottoman Mosque Complexes

Nina Ergin

2. A Mandir for the Masses or Apparatus of Imperial Authority? The Amba Mata Temple in

Udaipur

Jennifer Joffee

3. Water in the Expanded Field: Art, Thought and Immersion in the Yamuna river: 2005–2011

Venugopal Maddipati

4. The Global, The Local, The Contemporary, The Collaborative: Ghari/Ghar Pe/At Home,

Dharavi, Mumbai, 2012

Atreyee Gupta

Part II: Shifting Place

5. Mary on the Moon: Ivory Statuettes of the Virgin Mary from Goa and Sri Lanka

Marsha G. Olson

6. From Dictatorship to Democracy: Cordoba’s Islamic Monuments in the Twentieth Century

Jennifer Roberson

7. Mosque, Dome, Minaret: Ahmadiyya Architecture in Germany since 2000

Alisa Eimen

Part III: Defining Place

8. Shangri La: The Archive-Museum and the Spatial Topologies of Islamic Art History

Sugata Ray

9. A Thoroughly Modern Major: Photography, Identity, and Politics at the Court of Hyderabad

Deborah S. Hutton

10. Useful but Dangerous: Photography and the Madras School of Art, 1850–1873

Deepali Dewan

11. Temporal Transformations: Terracotta and Trash

Rebecca M. Brown

About the Author

Deborah S. Hutton is Professor, Department of Art and Art History, The College of New Jersey, USA.

Rebecca M. Brown is Associate Professor, History of Art, Johns Hopkins University, USA.