Fay Weldon was born and raised in New Zealand. Her novels and short stories best-sell around the world and wherever they go are awarded great critical acclaim. Her film and TV work wins enthusiastic viewers by the million, worldwide.
Across an ocean and the passage of time the lives of two relatives become intertwined in the past. Sophia, a 34-year-old film editor who tends to see life in relation to film plots, and Felicity, her eightysomething grandmother, have more in common than they realize, more than the suicidal Angel, a bohemian madwoman who seemed to be their only other relative. The two women provide an engaging counterplay as they enter two very different phases in their lives, seeking happiness and fulfillment. The discovery of Felicity's secret past and additional cousins with their own desires reveals more than either of them bargained for. Entertaining and well read by Jan Francis. Joyce Kessel, Villa Maria Coll., Buffalo, NY Copyright 2002 Cahners Business Information.
'Meticulously planned and mightily enjoyable, Fay Weldon's latest is a real treat.' Daily Mail 'As delightfully idiosyncratic as its mettlesome heroines, this novel is well up to Weldon's high standard of fictional entertainment.' The Times 'Good-humoured, wise and entertaining novel ... There is so much to enjoy and admire in Rhode Island Blues.' The Spectator 'This is terrific stuff. Nobobdy writes about the lot of modern women - and men - with the wisdom or wit of Fay Weldon ... Marvellous.' Sunday Herald, Glasgow 'A substantial treat for those long Autumn evenings after a summer of superficial beach and airport novels.' Ham & High 'The Golden Girls on acid.' Sunday Express
Can true love be found at the age of 83? It comes to pass in Weldon's latest offering (Big Girls Don't Cry, etc.), a jaunty but somewhat jaded romantic caper set in a Rhode Island retirement home and in London's Soho district. Felicity Moore is an attractive, sexually active octogenarian grandmother who has decided to move into the Golden Bowl Complex for Creative Retirement, an ominous institution where the staff is motivated to keep the occupants alive via financial inducements. Felicity's granddaughter, Sophia King, is a 34-year-old British film editor who'd rather live in the imaginary world of film (where she can discard unpleasantness on the cutting-room floor) than face the reality of her mother's suicide, her own simultaneous loathing of and longing for progeny, and her apparent lack of family relations aside from Felicity. When Sophia comes to New England to help Felicity settle into the Golden Bowl, she learns that her grandmother had another daughter whom she gave up for adoption more than a half century earlier. While Sophia returns to London in search of her long-lost aunt, Felicity falls in love with a compulsive gambler and together they outsmart the evil and sadistic Nurse Dawn. Between live half-sisters, dead stepchildren and cousins lengthily removed, the reader feels in need of a diagrammed family tree. Weldon's signature caustic humor enlivens this somewhat overwritten story, which succeeds in establishing that the search for ancestry is fairly complicated and usually disappointing. Since this is Weldon's first novel set in America, canny marketing might add more stateside readers to her devoted fans (who won't miss Weldon's name emblazoned across the cover). Agent, Russell Galen, Scovil Chichak Galen Literary Agency. (Nov.) Copyright 2000 Cahners Business Information.