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"Touching Strangers," a monograph by the Chicago-born photographer Richard Renaldi, would have fit nicely as a capstone for Bussard's case studies, as it pushes the notion of street photography even further. Renaldi meets strangers on the street and asks them to touch or embrace one another; he then photographs these arrangements as group portraits.What makes Renaldi's photographs thrilling is that, even knowing his strategy, the viewer can't help fabricating a story about the subjects' relationship. We weave narratives around them -- who they are, the unlikely tenderness that might exist between strangers.--Anna Altman "The New York Times Book Review "