Brian Gibbons is the General Editor of the New Cambridge Shakespeare and Professor of English Literature at the University of Munster. His other works on Shakespeare include a book, "Shakespeare and Multiplicity," an edition of "Measure for Measure" for the New Cambridge Shakespeare, and an essay entitled "Doubles and Likenesses-with-difference: "The Comedy of Errors" and "The Winter's Tale."" He also served as General Editor for the New Mermaid Anthology of plays, and has written extensively on Elizabethan and Jacobean theater.
Gr 5-7-These comic adaptations of literary classics seek "to entertain and educate young minds" with literature not generally read by today's young people. They are extensively abridged and retold in contemporary language. Each title includes a biographical sketch of the author and introduces approximately five main characters with illustrations. Back matter includes extension activities and historical information. Rendered in a pastel palette, Don Quixote offers more action and dialogue than the other titles and retains some of Cervantes's original humor. The art includes good use of foreshortening and point of view. Angled panels reinforce the windmill duel. King Solomon's Mines uses a vibrant color palette. Images often seem redundant-merely illustrating the text-rather than adding new insights. Many of the more violent scenarios are not depicted. For example, readers never see the origin of the knife wound shown later in the story. Kidnapped presents panels heavily outlined in black that appear stiff and formal, often having little connection to the sequential action of the story. The book lacks character animation, story pacing, and depiction of action. Adaptations of The Merchant of Venice and Romeo and Juliet rely on abbreviated retellings of the basic plots, eliminating any of the original poetic language. The classic art style features somewhat rigid characters, displaying little emotion.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.