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Summer, 1765. The renowned portrait painter Joshua Pope is eager to escape London and his unhappy past and accepts a commission to paint a wedding portrait for Herbert Bentnick and his bride-to-be, Sabine Mercier. Joshua learns that the couple are avid horticulturalists. Bentnick's country house, Astley, in Richmond, is famous for its verdant gardens, designed by the master landscape artist Capability Brown. Sabine Mercier, who has lived most of her life in the Indies, is an expert in growing pineapples, the fruit of choice at the grandest dinner parties and an inspiration to artists and craftsmen. But soon after Sabine begins to cultivate pineapples in the vast conservatory at Astley, she discovers a body among her plants. Why, wonders Joshua Pope, is so little attention paid to this bizarre death? Why do Bentnick's children regard their future stepmother with suspicion and fear? And what connection does Sabine's daughter Violet have with the dead man? Outraged that any life can be valued so lightly, Joshua begins to investigate the death. But then Sabine's valuable emerald necklace disappears, and he is implicated. His need to discover what has happened at Astley suddenly becomes
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Promotional Information

Another compelling murder mystery set in the eighteenth century from the acclaimed author of The Grenadillo Box.

About the Author

Janet Gleeson was born in Sri Lanka, where her father was a tea planter. After taking a degree in History of Art and English she joined Sotheby's, and later worked for Bonhams Auctioneers. In 1991 she joined Reed Books, where she was responsible for devising and writing Miller's Antiques and Collectibles. She is the author of the Sunday Times non-fiction bestsellers The Arcanum and The Moneymaker. She is also the author of three novels, The Grenadillo Box, The Serpent in the Garden and The Thief-Taker.

Reviews

"'Gripping...Gleeson's evocation of the period is meticulously researched and her plotting is neat and controlled...a good yarn'" * Independent on Sunday * "An irresistible follow-up to acclaimed THE GRENADILLO BOX: 'Colourful and wildly entertaining...A wonderful read'" * Guardian * "'As attractively crafted as the box itself'" * Independent on Sunday * "'A delicious five-course banquet: a murder mystery is succeeded by an abandoned infant weepie, a love story, a social history and, finally, a richly flavoured, full-bodied, 18th-century whodunnit...You'll be kept guessing right up until the last page in this splendid novel'" * Harpers & Queen * "'A compulsive page-turner which will appeal especially to anyone who was spellbound by Charles Palliser's The Quincunx'" * Daily Mail *

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