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Shaping the Lotus Sutra
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Table of Contents

AcknowledgmentsIntroduction1. The Many Treasures Stupa: Visionary Signpost and Cognitive Model2. Textual Space and Pictorial Reconstitution3. The Circumstantial World and the Numinous Realm4. Mapping and Transformation5. Mirroring and Transformation6. Chronotope and HeterotopiaList of AbbreviationsNotesChinese GlossaryBibliographyIllustration CreditsIndex

Promotional Information

Offers a new interpretation of Chinese Buddhist art focusing on the spiritual beliefs of the medieval Chinese

About the Author

Eugene Y. Wang is Abby Aldrich Rockefeller Professor of Asian Art, Harvard University.

Reviews

This is an original, productive approach to the study of medieval sacred space, and the book makes good on its promise to propose new theoretical models to analyze spatial and conceptual continuity above and below ground. As always, Wang's approach is fresh and provocative: his trenchant phrasing offers a new, sometimes idiosyncratic perspective on old material. Journal of Asian Studies Shaping the Lotus Sutra is a beautifully illustrated book that connects a dazzling array of visual objects under the intellectual auspices of notions of Chinese medieval world making... it offers a fresh and at time provocative perspective on unsolved problems of Chinese Buddhist art... it is certain to foster more lively discussion and debate. And that is no small achievement. Art Bulletin Shaping the Lotus Sutra provides novel perspectives for deciphering the medieval Buddhist representation. Religious Studies Review Eugene Wang has written a challenging, clever, dense and provocative book that is bursting at the seams with insights and ideas... The University of Washington Press deserves our thanks for producing this nicely-made book, which is profusely illustrated and not too expensive for what one gets. Journal of the Royal Asiatic Society Eugene Wang has succeeded in producing a careful examination of the creation of paradisiacal imagery in the Lotus Sutra..Wang's accomplishment is considerable. Deftly, he applies literary, historical, and scriptural references to visual materials..Wang has achieved visual literacy in reading representations of the Lotus Sutra in medieval China. Journal of Chinese Religions This book, abundantly illustrated, clarifies the intricate and complex relationships that link the Lotus Sutra with some of its medieval Chinese expressions. Exploration of these issues and themes would be enough to make this book a worthwhile study, but the real attraction here is the rich interpretive perspectives that Wang applies to medieval Chinese transformation tableaux. Staid scholarly views wither as he applies broad knowledge to his explication of Chinese imagery and the tangled relationship between text and image. This book is highly recommended for those who seek a markedly nuanced view of medieval Chinese Buddhist imagery, and its relationship to texts specifically and to medieval Chinese cultural more generally. H-Net Reviews Wang's remarkable use of materials and sheer intellectual verve makes one almost feel as if the 1400-year-old Chinese mind has indeed been pried open and revealed its secrets. Wang's elucidation of this world is a stunning work of intellectual bravado. Journal of Asian History The scholarship embodied in Shaping the Lotus Sutra will have a significant impact on Buddhist art scholarship, raising it to a new level of sophistication, insight, and nuance. Harvard Journal of Asiatic Studies The depth and breadth of the visual evidence [Wang] has marshaled is dazzling, as are the intricate connections he draws among the many sources, both literary and visual... All in all, the book is an extraordinary achievement and a must for any collection with a global compass in religion and the arts. Religion and the Arts

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