An illustrated history of Siena, one of the best-loved and most-visited cities in Italy.
Jane Stevenson has taught at the universities of Cambridge, Sheffield, Warwick and Aberdeen, and is now a Senior Research Fellow at Campion Hall, Oxford. She is the author of Baroque Between the Wars, a study of alternative currents in the interwar arts, Edward Burra: Twentieth Century Eye and The Light of Italy: The Life and Times of Federico da Montefeltro.
I loved this book. Its narrative is rich, tasty, dramatic and full
of surprises, exactly like the astonishing Tuscan city it evokes.
Jane Stevenson is not content to stand back and admire Siena's
manifold beauties but dwells fascinatingly on its various contexts
and after-lives, endlessly alert to the place's singularity within
the wider world of Italian history, culture and experience. The
whole work, lavishly illustrated, does honour to its theme
*Jonathan Keates*
Jane Stevenson has written a perfect history on this most beautiful
of Italian cities
*James Stourton*
Informed history with a personal touch. An enchanting intimate and
knowledgeable evocation of the history of Siena, from its Etruscan
beginnings, through its medieval and renaissance glories and
travails, its long rivalry with Florence, to the present-day
financial shenanigans of the world's oldest bank, the Monte dei
Paschi di Siena
*Paul Strathern*
In her sumptuously illustrated history of Siena, Jane Stevenson
celebrates a proud, hard-working Italian city state, ruled by the
church on one side and by bankers, traders and artists on the
other... Siena, "one of the best-loved cities" in the world, has
found an ideal chronicler in Stevenson, who brings her history up
to fascism under Mussolini'
*Spectator*
PRAISE FOR THE LIGHT OF ITALY:
'Painstakingly researched and yet unfailingly readable' Ross
King.
'An insight into one of Renaissance Italy's most glamorous courts'
Catherine Fletcher.
'In a narrative matching her book's sumptious illustrations, Jane
Stevenson celebrates Urbino as an essential place of pilgrimage for
all lovers of Italian art and literature' Jonathan Keates.
'A fascinating account of the patrons and artists behind the
creation of one of Italy's hidden treasures'
*Mary Hollingsworth*
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