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Singing, Acting, and Movement in Opera


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Table of Contents

Preliminary Table of Contents: Contents
Foreword: A Message from Tito Capobianco
List of Interviews
Using the GuidebookI. PREPARATION
1. Body Awareness: Stretching For Flexibility and Power
2. Postural: Aligning the Body
3. The Expressive Face: Communicating Emotions Onstage
4. Character Study: Decoding the Clues to Character
5. Environment: Setting the StageII. INTEGRATION
6. Elements of Stagecraft: Learning the Language
7. Historical Etiquette: Bowing to Tradition
8. Improvisation: Unlocking the Imagination
9. Monologues: Talking Opera
10. Physical Analysis: Moving in CharacterIII. APPLICATION
11. The Aria: Making Choices
12. The Scene: Putting it all Together
13. The Opera: Preparing a Role
14. Performance Anxiety: Facing Fear
15. Careers in Opera: Stepping Out
Appendix A: Attitude Chart
Appendix B: "Postural Alignment" by Emily Bogard
Appendix C: Literary Background of Selected Operas
Appendix D: Stage Manager's Handbook
Appendix E: Stage Combat: Faints, Falls, and FightsBibliography

About the Author

A singer and teacher, Mark Ross Clark has taught opera workshop for 20 years and has directed and produced over 50 operas in professional and university venues. He holds a doctorate in opera production and degrees in vocal performance, and is currently Associate Professor in the Indiana University School of Music and IU Opera Theater Production Director.

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