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The Source (Necroscope series)
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The third book in the Necroscope series traces the battle between Harry Keogh and the horrifying Vamphyri on their home ground, an alien landscape of looming towers, impossible cliffs, and ravenous vampire-beasts.Russia's Ural Mountains hide a deadly secret: a supernatural portal to the country of the vampires. Soviet scientists and ESP-powered spies, in a secret military base, study the portal--and the powerfully evil creatures that emerge from it, intent on ravaging mankind.When Jazz Simmons, a British agent sent to infiltrate the base, is captured by the KGB espionage squad and forced through the portal, his last message tells Harry Keogh, the Necroscope, that the vampires are preparing for a mass invasion.Harry has only one option--to strike first. He must carry the human-vampire war to the vampire's own lands. But his strongest psychic power will be useless there. What good is the power to summon the dead in a country where nothing ever dies, where every man, woman, and child become half-dead servants of the Vamphyri?
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About the Author

Brian Lumley is the author of the bestselling Necroscope series of vampire novels. The first Necroscope, Harry Keogh, also appears in a collection of Lumley's short fiction, Harry Keogh and Other Weird Heroes, along Titus Crow and Henri Laurent de Marigny, from Titus Crow, Volumes One, Two, and Three, and David Hero and Eldin the Wanderer, from the Dreamlands series. An acknowledged master of Lovecraft-style horror, Brian Lumley has won the British Fantasy Award and been named a Grand Master of Horror. His works have been published in more than a dozen countries and have inspired comic books, role-playing games, and sculpture, and been adapted for television.When not writing, Lumley can often be found spear-fishing in the Greek islands, gambling in Las Vegas, or attending a convention somewhere in the US. Lumley and his wife live in England.

Reviews

-One of the best writers in the field.- --John Farris-Lumley's strength is in his jovial voice, a diction that dominates the narrative. Lumley's love of his pulp-horror subjects is gleefully apparent. He revels in every telling detail, in stories-within-stories....- --San Francisco Chronicle-Lumley never oversteps the delicate line between blood-chilling horror and cold gruel. An accomplished wordsmith, Lumley wields a pen with the deft skill of a surgeon, drawing just enough blood to titillate without offending his readers.- --The Phoenix Gazette "One of the best writers in the field." --John Farris"Lumley's strength is in his jovial voice, a diction that dominates the narrative. Lumley's love of his pulp-horror subjects is gleefully apparent. He revels in every telling detail, in stories-within-stories...." --San Francisco Chronicle"Lumley never oversteps the delicate line between blood-chilling horror and cold gruel. An accomplished wordsmith, Lumley wields a pen with the deft skill of a surgeon, drawing just enough blood to titillate without offending his readers." --The Phoenix Gazette One of the best writers in the field. "John Farris" Lumley's strength is in his jovial voice, a diction that dominates the narrative. Lumley's love of his pulp-horror subjects is gleefully apparent. He revels in every telling detail, in stories-within-stories.... "San Francisco Chronicle" Lumley never oversteps the delicate line between blood-chilling horror and cold gruel. An accomplished wordsmith, Lumley wields a pen with the deft skill of a surgeon, drawing just enough blood to titillate without offending his readers. "The Phoenix Gazette"" "One of the best writers in the field." --John Farris"Lumley's strength is in his jovial voice, a diction that dominates the narrative. Lumley's love of his pulp-horror subjects is gleefully apparent. He revels in every telling detail, in stories-within-stories...." --"San Francisco Chronicle""Lumley never oversteps the delicate line between blood-chilling horror and cold gruel. An accomplished wordsmith, Lumley wields a pen with the deft skill of a surgeon, drawing just enough blood to titillate without offending his readers." --"The Phoenix Gazette"

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