Joel Agee is a writer and translator. He has won numerous awards for his translation work, including the Berlin Prize of the American Academy in Berlin; the Helen and Kurt Wolff Prize; and the ALTA National Translation Award, as well as fellowships form the Guggenheim Foundation and the National Endowment for the Arts. His essays have appeared in Harper's, The New Yorker, The Yale Review, and other magazines, and he is the author of two acclaimed memoirs- Twelve Years- An American Boyhood in East Germany and In the House of My Fear. He lives in Brooklyn, New York.
"A supremely beautiful novel . . . masterful . . . An exquisite
meditation upon language, meaning, human longing and consciousness
itself, The Stone World will fill readers with wonder." — The
Washington Post
"[A] lyrical first novel." — The New York Times
"This is a quietly profound study of boyhood...In the hands of such
a skilled and nuanced writer, this material exudes both beauty and
menace." -- Shelf Awareness, STARRED REVIEW
"The story swings between the resonances of languorous, carefree
summer days and the nervous energy of the big and small questions
that cloud a child’s mind. He [Peter] is naïve and unpretentious,
and it is easy to move into his world and get lost — and find
ourselves — in its magic." -- The Houston Chronicle
"Agee’s novel is a work of wonder... [The Stone World] reminds us
that our world is far larger and deeper than we tend to experience
it at any given moment." -- The Christian Century
"A tender and potent saga of an American boy who grows up in
mid-20th-century Mexico...Agee’s lyrical prose glides the reader
through defining moments of love, friendship, and maturity as Peter
comes to cherish his foreign cultural surroundings." - Publishers
Weekly
""The unpretentiousness of the story carries a certain magic . . .
An earnest and mystical evocation of childhood memory." -
Kirkus
"Leave it to Joel Agee to breathe new life into this old conceit.
The central question of The Stone World, Joel Agee’s debut novel,
is elegant and simple: What really goes on in a 6-year-old’s mind?"
-- Chapter16
“Joel Agee’s astonishing new novel is one of the purest, most
penetrating explorations of childhood I have ever read. Driven by a
prose almost transparent in its clarity, the book takes us so deep
into the inner life of its six-year-old protagonist that the
customary boundaries between writer and reader, reader and text,
text and truth dissolve. We are inside the inside and therefore
outside ourselves—at one with the book. The Stone World is more
than a great literary achievement, it is a remarkable human
achievement as well.” — Paul Auster
“In The Stone World, a child’s particular experiences are
rendered with such radiant lucidity, exquisite nuance, and honest
feeling they become universal. It is childhood itself that Joel
Agee returns to his reader. We all were short people once, puzzling
out the strange ways and often opaque language of the grownups, as
well as our own fears, loves, pains, and wonders, but the
specificity of these realities recedes with time. In this brilliant
novel, the lost world of childhood is resurrected with a force and
clarity that is nothing less than astounding.” — Siri Hustvedt
“I love how the language in The Stone World captures the wonder and
the courage of its young protagonist as he navigates his changing
world with a trust that never falters. This is an extraordinary,
incandescent novel, stirring with deep inner movement yet
timelessly still like the sea.” — Fae Myenne Ng, author of
Bone, Steer Toward Rock, and the forthcoming Orphan
Bachelors
“This is one of those delicious novels that shimmers with its own
intense reality, a tang of the actual. I felt I was there, in
Mexico in the forties, with Peter and his friends, with this émigré
family and their passionate and gifted friends.” — Jay Parini,
author of The Last Station
“Young Pira, Joel Agee’s deep boy hero, asks the meaning of words,
and the answers lead us to reflect on our own thinking and loving,
on the ways in which friendship can be betrayed and repaired, on
the history we are living, on the power of the imagination to go
where thinking stops.” — Lore Segal, author of The Journal I Did
Not Keep
Praise for Joel Agee’s previous books . . .
"A wonderfully evocative memoir. . . . Agee evoked for me the
atmosphere of postwar Berlin more vividly than the actual
experience of it—and I was there." — Christopher Lehmann-Haupt, The
New York Times
"One of those rare personal memoirs that brings to life a whole
country and an epoch." —Christopher Isherwood
"By turns poetic and picturesque, Agee energetically catalogues his
expatriate passage to manhood with a pinpoint eye and a healthy
American distaste for pretension. . . . Huckleberry Finn would have
. . . welcomed [him] as a soulmate on the raft." — J. D. Reed,
Time
“This voluptuously rendered account of a life lived with unbounded
curiosity's among the most wonderful of memoirs I've ever read." —
Jamaica Kincaid, author of Lucy
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