Charles Dickens was born in a little house in Landport, Portsea,
England, on February 7, 1812. The second of eight children, he grew
up in a family frequently beset by financial insecurity. At age
eleven, Dickens was taken out of school and sent to work in London
backing warehouse, where his job was to paste labels on bottles for
six shillings a week. His father John Dickens, was a warmhearted
but improvident man. When he was condemned the Marshela Prison for
unpaid debts, he unwisely agreed that Charles should stay in
lodgings and continue working while the rest of the family joined
him in jail. This three-month separation caused Charles much pain;
his experiences as a child alone in a huge city-cold, isolated with
barely enough to eat-haunted him for the rest of his life.
When the family fortunes improved, Charles went back to school, after which he became an office boy, a freelance reporter and finally an author. With Pickwick Papers (1836-7) he achieved immediate fame; in a few years he was easily the post popular and respected writer of his time. It has been estimated that one out of every ten persons in Victorian England was a Dickens reader. Oliver Twist (1837), Nicholas Nickleby (1838-9) and The Old Curiosity Shop (1840-41) were huge successes. Martin Chuzzlewit (1843-4) was less so, but Dickens followed it with his unforgettable, A Christmas Carol (1843), Bleak House (1852-3), Hard Times (1854) and Little Dorrit(1855-7) reveal his deepening concern for the injustices of British Society. A Tale of Two Cities (1859), Great Expectations (1860-1) and Our Mutual Friend (1864-5) complete his major works.
Dickens's marriage to Catherine Hoggarth produced ten children but ended in separation in 1858. In that year he began a series of exhausting public readings; his health gradually declined. After putting in a full day's work at his home at Gads Hill, Kent on June 8, 1870, Dickens suffered a stroke, and he died the following day.
Gr 9 Up-Charles Dickens's classic tale of one family's suffering during the French Revolution is brought to life in this audio adaptation. The voice of Audie Award-winning narrator Simon Vance sets the tone for the characters and creates the Dickensesqe mood of the times when the rich and the poor were far apart and no one was exempt from the ensuing wrath during the Revolution. Vance's stone varies from soothing to animated while creating different voices for the characters and using appropriate accents. A bonus feature on the last CD is an e-book in pdf format that can be printed or used as a read-along while listening to the audio. This easily navigated feature would be particularly helpful for struggling readers.-Jeana Actkinson, Bridgeport High School, TX Copyright 2008 Reed Business Information.
Dickens's preeminent and most overtly political novel, set against the backdrop of the French Revolution, radiates with relevance 150 years after its initial publication through two-time Audie Award winner Simon Vance's exceptional reading. Vance's ability to embody myriad voices and seamlessly transition between narration and alternating dialects and accents accentuates the linguistic and narrative vivacity of the text. Because of both the novel's canonized status and Vance's meticulous interpretation of it, recommended for all libraries, particularly those emphasizing the English classics. [With bonus PDF ebook; audio clip available through www.tantor.com. A musical version of Tale, with words, lyrics, and book by Jill Santoriello, opens on Broadway this month.--Ed.]--Christopher Rager, Pasadena, CA Copyright 2008 Reed Business Information.
"[A Tale of Two Cities] has the best of Dickens and the worst of Dickens: a dark, driven opening, and a celestial but melodramatic ending; a terrifyingly demonic villainess and (even by Dickens' standards) an impossibly angelic heroine. Though its version of the French Revolution is brutally simplified, its engagement with the immense moral themes of rebirth and terror, justice, and sacrifice gets right to the heart of the matter . . . For every reader in the past hundred and forty years and for hundreds to come, it is an unforgettable ride."-from the Introduction by Simon Schama