List of Illustrations
Notes on Contributors
Series Preface
Acknowledgements
Introduction Heather C. Easterling, (Gonzaga University, USA) and
Jennifer Flaherty (Georgia College, USA)
Part I. Taming Shrews: Negotiating Early Modern Gender
1 Shakespeare’s New Shrew
Erin E. Kelly (University of Victoria, Canada)
2 Home-Schooling the Girl Stomach
David Goldstein (York University, Canada)
3 The Taming of the Shrew: Afterlives and Oeconomics
Romola Nuttall (King's College London, UK)
Part II. Staging Modern Shrews: The Politics of
Performance
4 Sometimes Crossing a Line: The Taming of the Shrew in Chicago and
Stratford-upon-Avon
David Bevington (University of Chicago, USA)
5 The Taming of the Shrew in Soviet Russia: Ideological Dangers of
Structural Instability
Natalia Khomenko (York University, Toronto, Canada)
6 Dissident Feminism at the End of the Franco Dictatorship: The New
Taming of the Shrew (1975)
Juan F. Cerdá (University of Murcia, Spain)
7 The Turn of the Shrew: Cross-Gender Casting in the Twenty-First
Century
Peter Kirwan (University of Nottingham, UK)
8 ‘My tongue will tell the anger of my heart’: Staging and
Challenging Irish Womanhood at the Globe (2016)
Emer McHugh, (National University of Ireland, Galway, Ireland)
Part III. Reclaiming the Shrew: Contemporary
Transformations
9 Telling the Anger of Her Heart: (M)aligning the Stars in Taylor
and Zeffirelli Taming of the Shrew Films
Milla Cozart Riggio ( Trinity College, Hartford, Connecticut,
USA)
10 ‘The Right Foundation’: Remaking Marriage in a Black Adaptation
of The Taming of the Shrew
Joyce Green MacDonald (University of Kentucky, USA)
11 Taming the Internet: Katherina, Bianca, and Digital Girlhood
Jennifer Flaherty (Georgia College, USA)
12 ‘Kate of My Consolation’: Mary Cowden Clarke and Anne Tyler
Revisit The Taming of the Shrew
Sheila T. Cavanagh (Emory University, USA)
Bibliography of Para-Texts, Productions, and Adaptations
Index
A collection of essays on Shakespeare’s The Taming of the Shrew, showcasing the current ideas and debates surrounding the play and its contentious afterlife in the context of contemporary culture.
Jennifer Flaherty is Associate Professor of Shakespeare
Studies at Georgia College, USA, and her research emphasizes
adaptation theory and global Shakespeare.
Heather C. Easterling is Professor of English at Gonzaga
University, USA, where she is a specialist in Renaissance Studies
with research focused on early modern English drama and its urban
context of 16th and 17th-century London.
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