Foreword Chronology of Chile, 1941-2006 Introduction Part I: Art as Witness Chapter 1: The Texture of Memory Chapter 2: Returning to the Shadows Chapter 3: A Journey to the South Chapter 4: Weaving My Story Part II: Testimonies, 1973-1994 Chapter 5: Violeta Morales Chapter 6: Valentina Bonne Chapter 7: Anita Rojas Chapter 8: Irma Muller Chapter 9: Mother of Augustin A. Martinez Meza Chapter 10: Doris Meniconi Lorca Chapter 11: Gala Jesus Torres Aravena Part III: Testimonies, 2005-2006 Chapter 12: Viviana Diaz Caro Chapter 13: Gala Torres Aravena Chapter 14: Maria Madariaga and Patricia Hidalgo Chapter 15: Charo Henriquez Chapter 16: Adriana Rojas Afterword Epilogue
Marjorie Agosin is professor of Spanish and the history of women in Latin American culture at Wellesley College. She is the author of numerous short stories, books of poetry, and novels.
Agosin's poetic touch will engage undergraduate students in the
humanities and social sciences as well as general readers. *
Hispanic American Historical Review *
By interweaving bleak storytelling with powerful, colorful
depictions of cloth figures standing against a message of 'No a la
tortura' or chained together in protest against congressional
policy, the complete and tragic story takes on physical and
psychological dimensions. * ASG Notions *
To have these arpilleras reproduced in combination with Marjorie
Agosin's compassionate and historical analysis in a new and updated
edition is a gift to all those who continue in the struggle for
human rights, social justice, and peace. It is also a vital
testimonial to women's history, resistance, and culture in Chile
and in all of Latin America. -- Bettina Aptheker, University of
California, Santa Cruz
Hope and love, yes, but a fierce and tenacious witness as well, and
an insistence on spare truth in the face of brute power: truth
armored in a heartrending beauty. With grace and precision, poet
Marjorie Agosin sings this suite of Latin American variations on
the epics of Penelope's steadfast devotion and Antigone's defiant
resolve. -- Lawrence Weschler, New York University; author of A
Miracle, A Universe: Settling Accounts with Torturers
This book should be put in the hands of every student in America,
North and South, so all can learn how a culture of fear turned
Chile into a well of suffering under Pinochet. Marjorie Agosin's
Tapestries of Hope is a shiva made of words, a sacred act of
mourning and memory, at once beautiful and heartbreaking. By
collecting the stories of the women in Chile who wove their sadness
into works of art using the torn clothes of the disappeared, Agosin
lets us grieve for those who are lost. At the same time, we join
the brave makers of the arpilleras in defying the brutal torturers
who attempted to erase the names of their loved ones from history.
I thank Marjorie Agosin with all my heart for the gift of this
book. It is a gift for all humanity, as great books always are. --
Ruth Behar, University of Michigan
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