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List of Figures List of Titles and Abbreviations Preface Terence: A Biographical Note 1. Comedy at Rome 2. Terence, a New Voice? 3. Andria Unfolds Itself 4. From Stage to Page… and Back Again 5. The Translators’ Dilemma Appendix 1: Donatus on Menander Appendix 2: Chronology Notes Guide to Further Reading and Works Cited Index
A close reading of Terence Andria alongside a broader investigation of the interpretive issues surrounding the work of Terence and its legacy.
Sander M. Goldberg is Distinguished Research Professor of Classics, at the University of California, Los Angeles, USA. He has published widely on the Roman theatrical tradition as well as producing specific studies of Terence, including a monograph and commentary on one of Terence's most problematic plays, the Hecyra.
Goldberg 's tracing of critical and literary attitudes towards
Andria across the centuries renders Terence's first play a true
universal classic.
*CJ Online*
This little book is an excellent introduction to Terence’s Andria
and indeed to Roman comedy in general.
*Classics for All*
A highly readable, up-to-date companion to an important, yet
relatively neglected play by Terence. Attractively designed and
written in a lively style, it offers even Latinless undergraduate
readers an accessible introduction to Roman comedy. At the same
time, more advanced scholars of Roman comedy will also find much
that should interest them.
*The Classical Review*
Sander Goldberg’s Companion is a highly engaging, deeply learned
introduction to the Andria that speaks directly to the concerns of
contemporary readers, guiding us through the controversies of this
play with good sense and sound judgement and offering rich insight
into the challenges of replicating Terence in translation, as Prof.
Goldberg introduces us to the scholars and adaptors who have
brought the play to new audiences over the past two millennia.
*Ariana Traill, Associate Professor of Classics, University of
Illinois at Urbana-Champaign, USA*
This fine guide to Terence’s Andria highlights for students and
scholars the vibrant, complex, and controversial world of ancient
comedy. Goldberg is thoughtful, fair, and circumspect throughout
this volume and this introduction will be useful to all readers,
whether turning to Andria for the first time or for the one hundred
and first.
*GNOMON*
[Goldberg] marries the expertise of a Terentian doyen with an
unusually smooth pen, omnia dulcia dicens.
*Greece & Rome*
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