British-born biologist, award-winning author and celebrated academic David George Haskell's work integrates scientific, literary and contemplative studies of the natural world. Haskell holds degrees from the University of Oxford (BA) and from Cornell University (PhD). He is Professor of Biology and Environmental Studies at the University of the South, where he served as Chair of Biology. His scientific research on animal ecology, evolution and conservation has been sponsored by the National Science Foundation, the Environmental Protection Agency, the Fish and Wildlife Service, the World Wildlife Fund among others. He serves on the boards and advisory committees of local and national land conservation groups. His previous books include The Songs of Trees: Stories from Nature's Great Connectors and The Forest Unseen: A Year's Watch in Nature.Dghaskell.comInstagram.com/davidgeorgehaskellTwitter.com/dghaskell
My favourite book of the year.
*Radio Times*
This is a book for literary connoisseurs, fact-lovers and
environmentalists. In short, it is a book about trees and people,
for everyone.
*BBC Countryfile*
Eclectic, brilliant and beautifully written, David Haskell reboots
our aromatic memory reminding us of how our lives are intertwined
with the wonder of trees. A treat not to be sneezed at.
*Sir Peter Crane, FRS*
Thirteen Ways to Smell a Tree is a transportive olfactory journey
through the forest that sets the sense tingling. Every chapter
summons a new aroma: leaf litter and woodsmoke, pine resin and
tannin, quinine and bay leaf - life in all its glorious complexity.
David George Haskell is a knowledgeable, witty and erudite
companion, who takes us by the hand and leads us through the world,
reminding us to breathe it all in. This book is a breath of fresh
air.
*Cal Flyn, author of ISLANDS OF ABANDONMENT*
contagious enthusiasm ... Haskell's sustained sniffing is an
example of how we can acknowledge, and perhaps begin to appreciate,
all that exists outside human agendas & forms of communication.
This curious book is, ultimately, sensory activism. - Kate Simpson,
Times Literary Supplement
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