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The Tin Drum (Vintage War)
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A new translation of the landmark novel with a new foreword by the author

About the Author

G nter Grass, born in Danzig in 1927, is Germany's most celebrated contemporary writer. He is a creative artist of remarkable versatility- novelist, poet, playwright, essayist, graphic artist. Grass was awarded the Nobel Prize for Literature in 1999. Breon Mitchell's translations include works by Franz Kafka, Heinrich Boll, and many others. He is the recipient of several awards for literary translation, he is Professor of Germanic Literature at Indiana University, and Director of the Lilly Library.

Reviews

Preeminent scholar Barzun brilliantly and succinctly narrates the saga of 500 years of Western cultural history. He came to the United States from France in 1920, becoming professor of history at Columbia University and eventually dean of faculties and provost. To hear these tapes is like attending a fast-paced seminar from a professor with a lively and fertile mind. Chronologically, the topics range from Martin Luther to the Internet and include a mosaic of miniature portraits of artists and intellectuals that give meaning, color, and texture to each era. Barzun never ignores other interpretations and cites alternative sources on every crucial issue; the breadth and depth of his synthesis are breathtaking. The area most open to criticism is the treatment of the so-called "decline" of Western culture mostly things that annoy the 93-year-old Barzun, e.g., moral relativism, hypersexuality, and computer nerds. But his faults give the listener an opening for discussion. A magnificent book, ably read by Edward Lewis. James Dudley, Westhampton Beach, NY Copyright 2001 Cahners Business Information.

Given Grass's close involvement with this new translation, it is fair to call this the definitive version of arguably the most important German novel of the post-war era. * Observer *
Grass published his milestone of postwar literature 50 years ago, and the event is being celebrated with new translations...Mitchell's excellent translation reveals the novel as a timeless masterpiece. * The Times *
At the ages of fourteen and fifteen, I had read Great Expectations twice - Dickens made me want to be a writer - but it was reading The Tin Drum at nineteen and twenty that showed me how. It was Gunter Grass who demonstrated that it was possible to be a living writer who wrote with Dickens' full range of emotion and relentless outpouring of language. Grass wrote with fury, love, derision, slapstick, pathos - all with an unforgiving conscience. -- John Irving * New York Times Book Review *
Funny, macabre, disgusting, blasphemous, pathetic, horrifying, erotic, it is an endless delirium, an outrageous phantasmagoria in which dust from Goethe, Hans Andersen, Swift, Rabelais, Joyce, Aristophanes and Rochester dances on the point of a needle in the flame of a candle that was not worth the game * Daily Telegraph *
Encountering The Tin Drum in the early sixties was like discovering a new planet, a reinvention of literature. It brings the exhilaration of discovery, linked with an enormous gratitude for the way in which Gunter Grass makes the world a worthwhile place to be in, and living a worthwhile thing to do. He has forever pushed back - and opened up - our concept and awareness of what is real, and what is possible, and what we dare to dream about. * Andre Brink *

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