Of Liberation
Island Pill
This One Hydra
Santa Monica
My Life in Politics
That Must be a Duck
Mope
Someplace in Your Mouth
Lenten Telethon
Ladies Love Adjuncts
For the Republic
Boht Rapid and Not Rapid
The Wake
Parakeet
It’s Hard to Be a Saint
The Problem
Night Class
The Lip
Midwinter Day
July, 2016
A Fold of Sun
The Remainders
Roneo Room Triptych
Summer in the Network of Privileged Carports
Does My Lip Limp?
Some Collide
Natural Skin
Ell Fire
We Found Ourselves in Reading, Then Closed the Book
Innocence Isn't What Appears
Mom's the Boon inside Our Skulls
The Tiny Aches
Cool Ark for Clark
I've Always Got Someone
A Salve is Less than Salvation
As Solid
Life for Mike
dark William
Lopsided Against My Heart
To a Banker
Poem
High Mist Toward Noon
Magdalena Zurawski is the author of the novel The Bruise, which won the Ronald Sukenick Award from FC2 in 2008 and a LAMBDA literary award in 2009, and the collection of poems Companion Animal, which was published by Litmus Press in 2015 and won a Norma Faber First Book Award from the Poetry Society of America. She attended Brown University where she studied with poets Rosmarie and Keith Waldrop, C.D. Wright, and Peter Gizzi. She has lived in Berlin, New York, Philadelphia, San Francisco, and Durham, NC where she ran the Minor American Reading Series. She is currently Assistant Professor of English and Creative Writing at the University of Georgia.
"These poems are hyper-aware of their contradictions, yet completely emotionally vulnerable. They refuse cynicism and pretense, and such a refusal explodes any possibility of intellectual distancing or emotional hiding."--Jennifer Moxley, Poetry Society of America "Because the poems are not charged with having to be about anything . . . their bareness becomes their subject. Their lines, skinny and brusque, feel precarious. . . . 'What is of value in a poem besides its meaning?' Zurawski, writing in solitude, seems to offer this answer: the transaction between the reader and the poet. The book's dedication reads 'for you.'"--Darcie Dennigan, Boston Review "A book of poetry that asserts itself with the various boundaries of open forms."--Woodland Pattern
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