Moniquill Blackgoose began writing science fiction and fantasy when she was twelve and hasn't stopped writing since. She is an enrolled member of the Seaconke Wampanoag Tribe, and a lineal descendant of Ousamequin Massasoit. She is an avid costumer, and an active member of the steampunk community. She has blogged, essayed, and discussed extensively across many platforms the depictions of Indigenous and Indigenous-coded characters in sci-fi and fantasy. Her works often explore themes of inequality in social and political power, consent, agency, and social revolution.
“Imagine a world full of dragons where a newborn chooses you to be
its caregiver. Imagine you have to go to a special school to learn
how to train it. Imagine that almost no one at the school wants you
there. This is how the well-written, compelling tale of To Shape a
Dragon’s Breath begins, and once underway it doesn’t let you
go.”—New York Times bestselling author Terry Brooks
“My favorite book of the year . . . a coming-of-age story that is
cozy and hair-raising in equal measure.”—Charlie Jane Anders, The
Washington Post
“I tore through it, caught up in an enthusiasm for dragons that I
hadn’t experienced since I was a teenager obsessed with Ursula Le
Guin’s Earthsea and Anne McCaffrey’s Pern.”—NPR
“Blackgoose uses the social microcosm of the school world to
focus on the issue of assimilation and resistance, and the
relations of power—cultural, social, and economic— between
coloniser and those that they have colonised. . . . Blackgoose is
deft with her characters, good at showing the interiority of
individuals other than her viewpoint protagonist. . . . It’s
tensely explosive and deftly done. To Shape a Dragon’s Breath is an
entertaining story and a striking debut.”—Locus
“A thorough delight . . . To Shape a Dragon’s Breath reveals a
world that is complex and political through deft, thoughtfully
drawn characters who, like their world, are complicated and
believable. I love Anequs!”—K. Eason, author of How Rory Thorne
Destroyed the Multiverse
“This is a classic fantasy at its finest . . . The indigenous quest
to maintain culture and identity within a paralyzingly restrictive
imperialism determined to stamp out natives and their beliefs,
and Anequs’ stubborn will to remain herself, create a fresh
take on this setup and make this a must-read high-fantasy
series.”—Booklist (starred review)
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