List of Figures
1 Tragic Events and the Idea of Tragedy
2 Lamenting 9/11
3 The Dogs of War
4 Shooting Conflict
5 The Year of Revolutions
6 Claiming Asylum
7 Hamartia in the Anthropocene
Coda: Figuring Tragedy
Notes
Acknowledgements
Index
A cultural analysis of the first two decades of the 21st century, reading tragic events from 9/11, the Arab Spring, drone warfare and the threat of climate change with the critical attention usually devoted to tragic drama and philosophy.
Jennifer Wallace is Director of Studies in English at Peterhouse, University of Cambridge, UK, and editor of A Cultural History of Tragedy in the Modern Age (Bloomsbury, 2019). Her previous books include Digging the Dirt: The Archaeological Imagination (2004) and The Cambridge Introduction to Tragedy (2007).
This rich analysis is valuable not only because it underlines the
importance of a broader cultural horizon, showing the topicality of
more or less “ancient” literary and philosophical resources, but
also because it celebrates different evaluations of current events
and historical consciousness in a remarkably original approach.
*Modern Drama*
Tragedy since 9/11 is a demanding, provocative read—well
researched, articulate, and persuasive. Summing Up: Highly
recommended. Upper-division undergraduates through faculty.
*CHOICE*
Powerful, deeply felt, thoughtful and convincing.
*Times Higher Education*
[A] remarkable book … [that] draws attention to the relationship
between the horrors of the first two decades of the twenty-first
century and the wider human conditions of tragedy and
suffering.
*Studies in Theatre and Performance*
A bold and ambitious book ... It is the astonishing range of
material [Wallace] draws from our more immediate past and present
that makes her book so rich and suggestive ... One ends Wallace’s
impassioned book with a deepened sense of the historical crisis
through which we are living.
*Modern Language Review*
Jennifer Wallace’s gripping book explores how the tragic tradition
can still engage us today. In a learned yet passionate study,
Wallace overturns tired commonplaces about canonical tragedies and
makes these plays compelling models for framing the horrors of the
past two decades.
*Rebecca W. Bushnell, University of Pennsylvania, Emerita Professor
of English*
This book is unique in its conception of the ancient trope of the
tragic as the best guide to the crisis of the 21st century.
Concerned with tragedy as both a literary and a political mode,
Wallace brilliantly explains how it helps us negotiate the most
pressing problems of modern society, from terrorism and
environmental catastrophe, to the suffering of refugees on the
shifting sands of our time.
*Simon Gikandi, Princeton University, USA*
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