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Acknowledgements Illustrations Introduction New Euro-African Literary Spaces Sabrina BRANCATO: Voices Lost in a Non-Place: African Writing in Spain Peter N. PEDRONI: Kossi Komla-Ebri and Migrant Writing in Italy Daniela MEROLLA: Poetics of Transition: Africa and Dutch Literary Space Elisabeth BEKERS: Chronicling Beyond Abyssinia: African Writing in Flanders, Belgium Eila RANTONEN: African Voices in Finland and Sweden Literary Perspectives Frank SCHULZE-ENGLER: Transcultural Modernities and Anglophone African Literature Susan ARNDT: Euro-African Trans-Spaces? Migration, Transcultural Narration and Literary Studies Elisabeth BEKERS: Culture in Transit: The Migration of Female Genital Excision to Europe in Euro-African Writing Susanne GEHRMANN: Black Masculinity, Migration and Psychological Crisis: A Reading of Simon Njami's African Gigolo Elisa DIALLO: Polyphony, Old `Lyonnais' and Animism: Africa in Urban Europe in Un Reve utile de Tierno Monenembo Nadia BUTT: Negotiating Untranslatability and Islam in Leila Aboulela's The Translator Obododimma OHA: `Occupying the Isolated Terminal Space and Silent': The Rhetoric of Inclusion and Exclusion in the Poetry of Femi Oyebode Daria TUNCA: Linguistic Counterpoint in Gbenga Agbenugba's Another Lonely Londoner Visual and Cinematographic Narratives Alex ROTAS: New Labels, But It's Still Labelling: Ibrahim El Salahi and Mohamed Bushara as `Asylum Artists' in the UK Marie-Christine PRESS: North African Modernities: Myth Stripped Bare Daphne PAPPERS: Spies in the Sixteenth Arrondissement: Myriam Mihindou Exhibits at the Musee Dapper in Paris Jacobia DAHM: Emigrants and Immigrants of Burkina Faso, Senegal, and France: Ousmane Sembene's La Noire De ... and S. Pierre Yameogo's Moi et mon blanc Marie-Helene GUTBERLET: Towards an Aesthetic of the Migrant Self: The Film Le Clandestin by Jose Zeka Laplaine Nwachukwu Frank UKADIKE: Critical Dialogues: Transcultural Modernities and Modes of Narrating Africa in Documentary Films Imagining Life - Narrating Stories Graham HUGGAN: Imagining Disaster in the African Postcolony Sissy HELFF: Refugee Life Narratives: The Disturbing Potential of a Genre and the Case of Mende Nazer Katrin BERNDT: Shared Paradoxes in Namibian and German History: Lucia Engombe's Kind Nr. 95 Annika LIEBY-MCPHERSON: From Utopia to Atopia to Diaspora? Social (Re-)Organization in a German Refugee Home Bettina HORN-UDEZE: "Here in Europe it's like a secret cult": A Nigerian Migrant's Narration of Initiation into the System of Migration Christine MATZKE: "Performing `Africa'" in Germany: Members of abok Theatre Company in Conversation Fouad LAROUI: Misunderstandings: Working Euro-African Life into Fiction Creative Writing Fouad LAROUI: Le Pyjama bleu Chika UNIGWE: Cotton Candy Notes on Contributors and Editors Notes for Contributors
ELISABETH BEKERS is Lecturer in British and Postcolonial Literatures at the University of Brussels (VUB) and also teaches Literatures in English at the University of Antwerp. SISSY HELFF is a senior lecturer in English literary and cultural studies in the Department for the New Literatures in English at the University of Frankfurt. DANIELA MEROLLA is a senior lecturer in African literatures in the Department of Languages and Cultures of Africa, Leiden University. Contributors: Susan Arndt, Elisabeth Bekers, Katrin Berndt, Sabrina Brancato, Nadia Butt, Jacobia Dahm, Elisa Diallo, Susanne Gehrmann, Marie-Helene Gutberlet, Sissy Helff, Bettina Horn-Udeze, Graham Huggan, Fouad Laroui, Annika McPherson, Christine Matzke, Daniela Merolla, Obododimma Oha, Peter Pedroni, Daphne Pappers, Marie-Christine Press, Eila Rantonen, Alex Rotas, Frank Schulze-Engler, Daria Tunca, Nwachukwu Frank Ukadike