Hari Kunzru, author of White Tears and the award-winning, bestselling novel The Impressionist, was named as one of Granta's "20 Best Fiction Writers Under 40." The Impressionist was a Los Angeles Times Book Prize finalist; was shortlisted for the Guardian First Book Award, the Whitbread First Novel Award, and a British Book Award; and was one of Publishers Weekly's Best Novels of 2002. Kunzru has written for a variety of English and international publications, including The Guardian, Daily Telegraph, The London Review of Books, and Wired.
With this taut and entertaining novel, London native Kunzru paints a satirized but unsettlingly familiar tableau, in which his alienated characters communicate via e-mail jokes and emote through pop culture, all the while dreaming of frothy lattes and designer labels. Arjun Mehta is an Indian computer programmer and Bollywood buff who comes to the U.S. with big dreams, but finds neither the dashing romance nor the heroic ending of his favorite movies-just a series of crushing disappointments. When he is told he will lose his job at the global security software company and thus may have to return to India, Arjun develops and secretly releases a nasty computer virus, hoping that he can impress his boss into hiring him back when he "finds" the cure. Arjun's desperate measures are, of course, far reaching, eventually affecting the lives of Guy Swift, an English new money entrepreneur; his girlfriend, Gabriella; and the young Indian movie star Leela Zahir. Kunzru weaves their narratives adroitly, finding humor and pathos in his misguided characters, all the while nipping savagely at consumer culture and the executives who believe in "the emotional magma that wells from the core of planet brand." While Guy Swift creates a marketing campaign for border police that imagines Europe as an "upscale, exclusive continent," Arjun Mehta is fighting to keep his scrap of the American dream. Kunzru's first novel, The Impressionist, was received enthusiastically (it was shortlisted for numerous awards, and won quite a few others, including the Somerset Maugham Award), and this follow-up will not disappoint fans of his stirring social commentary. Agent, Emma Parry. (June) Forecast: This second novel may not receive the barrage of coverage and buzz the first did (that would be nearly impossible), but sales should hold steady as readers discover that Kunzru is no one-hit wonder. Copyright 2004 Reed Business Information.
After The Impressionist, Kunzru moves from the mythohistorical to the supercontemporary: here, an Indian computer programmer, fired from his dream job in Silicon Valley, gets even by unleashing a particularly ornery virus on the world. Copyright 2003 Reed Business Information.
Adult/High School-Arjun Mehta, computer programmer and extreme Bollywood fan, dreams of a different life than his native India offers him. It seems like magic when a placement service in the U.S. offers to fly him to the states and help him find a job. After several weeks in limbo, he takes a position with a software developer specializing in virus protection. He befriends Chris, a heavily tattooed, bisexual rock-and-roll chick who takes pity on him. She exposes clueless Arjun to pieces of U.S. culture that challenge him in ways that are both humorous and thought-provoking. After a sexual interlude that ends his friendship with her, Arjun finds himself on a list of employees to be laid off. In desperation, he creates a computer virus around the image of a popular Bollywood star and unleashes it on the Internet. He plans to present a solution for it, making money for his company, saving his job, and turning himself into a hero. But, of course, things go awry as the virus takes on a life of its own. Kunzru's details of the technology are thrilling and accessible, bringing to mind William Gibson's classic cyberpunk novel Neuromancer (Ace, 1984). The point of view switches to other characters to show the effects of the virus on a more personal level. Ultimately, this is a mainstream-style novel with strong characters and situations that has just enough science-fiction elements to satisfy readers of both genres.-Matthew L. Moffett, Northern Virginia Community College, Annandale Copyright 2004 Reed Business Information.
Praise for Transmission
"Hari Kunzru [has] a skewering wit, wide sympathies and a gimlet eye for the killing or illuminating detail."--The Washington Post "Kunzru's engagingly wired prose and agile plotting sweep all before them as the characters careen toward ruin."--The New Yorker "Swiftly paced and cleverly plotted...the ride is exhilarating."--People "With this second novel...the entertaining Mr. Kunzru makes it even clearer that he has a flair for culture clash and metamorphosis."--The New York Times "A balance between high comedy and genuine pathos."--Time Out New York "Kunzru...is as up-to-date as writers come, with interests in technology, pop culture and the economics of globalization. If anyone deserves a shot at breaching the literary space-time continuum and doing what logic says can't be done, it's Kunzru."--The New York Times Book Review