Margaret Wild has written more than forty books for
children, including Let the Celebrations Begin!, illustrated by
Julie Vivas. Many of her books have been named Picture Book of the
Year by the Children’s Book Council of Australia, and in 2008 she
won the Nan Chauncy Award for outstanding contribution to
children’s literature in Australia, where she lives.
Freya Blackwood is an award-winning illustrator. She won the
Kate Greenaway Medal for illustration in 2010 for Harry and Hopper,
written by Margaret Wild. She lives in Australia.
Though avid readers know that books are precious, that this one
contains the history of a people uprooted by war makes it more
precious, and its existence makes it impossible to erase the
culture...A poignant and accessible story about the importance of
the survival of a people's history as well as of the people
themselves. Excellent.
—Kirkus Reviews (starred review)
This refugee parable is presented in intentionally ambiguous terms,
with the collage (incorporating pages of the destroyed books) and
color palette complementing the tone...This is not a message about
the specifics of war, but one of refugees’ hopeful perseverance
through cherished stories and objects they preserve for future
generations.
—Booklist
This beautifully written and illustrated picture book is an
excellent read-aloud and discussion starter for elementary school
classes talking about war and the resilience of displaced
peoples.
—School Library Journal
This book provides a sobering look at what happens when people are
forced to flee their country and need to determine what is
important enough to save...The value of libraries is also extolled
as the family book is returned to the shelves so that others can
share the knowledge found in its pages. This title would work best
in one-on-one readings so that the text can be explained.
—School Library Connection
This account of one fictional refugee family’s experience is made
all the more heart-rending by the characters’ stoicism: tears are
not something in which people like Peter and his father can
indulge. The pencil, watercolor, and collage art, which has a
three-dimensional quality, features what look like pages torn from
books written in various languages, suggesting the different voices
and common humanity of victims of wartime displacement.
—The Horn Book
Beautifully expressive illustrations perfectly complement this
moving story of the importance of stories, of people displaced by
unwanted circumstances and the determination to carry on and do the
right thing.
—Reading Eagle (from Kendal Rautzhan's "Books to Borrow")
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