Anthony Horow itz is one of the UK's most prolific and successful w riters. His most recent novels, Moriarty and The House of Silk, w ere both Sunday Times Top 10 bestsellers and sold in more than 35 countries around the w orld. His bestselling Alex Rider series for children has sold more than 19 million copies w orldw ide. As a TV screenw riter he created both Midsomer Murders and the BAFTA-w inning Foyle's War; other TV w ork includes Poirot and the w idely acclaimed mini-series Collision and Injustice. Anthony has recently joined the board of the Old Vic and regularly contributes to a w ide variety of national new spapers and magazines. In January 2014 he w as aw arded an OBE for his services to literature. Anthony Horow itz lives in London.
'Break-neck pace, complex and entertaining plot, and thrilling action... Expertly structured with plenty of twists and turns, this is classic Bond.' * BOOKBAG * 'If you like the original Bond books it's a safe bet that you'll like Trigger Mortis, too. Horowitz captures the flavour and feel of the originals.' * CRIMEREVIEW * "A pleasingly modern perspective while still managing to retain the essence of Ian Fleming's original novels. It also happens to be a great read." * CHOICE * "A masterly feat of literary ventriloquism." * TIMES * The Fleming chapter slips in almost seamlessly, a testament to how attentive Horowitz has been to his master's style. * GUARDIAN * Endorsed by the Bond estate, Anthony Horowitz does a sterling job of bringing the spy's bygone era to life, helped in part by access to Fleming's papers. * Herald Sun, Melbourne * Bond and his creator have been under siege from the second-rate and politically censorious for decades. It has taken 50 years for one author, Anthony Horowitz, to finally deliver the respectful and tender homage both have long deserved. It is a cause for celebration. * Canberra Times, Saturday Age Melbourne, Sydney Morning Herald * Fervent fans and completists will likely not be disappointed. * Weekend Australian * 'A pacy Cold War thriller that will please Bond fans.' * OLDHAM EVENING CHRONICLE * 'A cocktail of speed, danger, strong women and fiendish villains.' * GAINSBOROUGH ECHO * 'All elements are in place. We have the fast cars, the dead-eyed villain with a penchant for playing cards, a mysterious woman and an intricate plot involving rockets.' * RTE GUIDE * A fast-paced Cold War thriller that should please literary Bond fans... a modern take on a period series: Bond doesn't seem quite as cold and brutal as Fleming's original and in a couple of places, the writer's 21st century morality seems to seep almost unconsciously through. * YORKSHIRE POST * Anthony Horowitz produced as good an ersatz James Bond novel as one could hope for in TRIGGER MORTIS * DAILY TELEGRAPH - Christmas Books * 'Horowitz has an amazing facility for narrating action, and the set-pieces are terrific... the final 50 pages pass in a breathless rush of excitement.' * SUNDAY TIMES * 'Horowitz's brings her [Pussy Galore] back as something like a three-dimensional woman, giving her an arc that surpasses Bond's hackneyed Freudian masculinity... He delivers the tersely precise prose that makes Bond so compelling, but more than that, he also supplies touches of Fleming's cruel poetry.' * GUARDIAN * The tension-filled opening sequence is there, the threat to world peace, the race to prevent central Manhattan being blown to smithereens, beautiful women and dodgy gangsters, but, somehow, Bond is more likeable. Daniel Craig would be hard pushed to describe this one as sexist and misogynistic. Mr Horowitz has introduced us to a more rounded hero, but one who won't disappoint the traditionalists. * COUNTRY LIFE * Trigger Mortis is cool and restrained... Fleming's best work was possessed of a rather insouciant tone; a wry, weary, mid-century tone that Horowitz captures exactly. * NEW STATESMAN * 'Ultimately, Horowitz seems to me to have captured the spirit of Fleming more successfully than his recent illustrious predecessors in the Bond-sequel game.' -- Jake Kerridge * Daily Telegraph * 'This supremely well-crafted thriller is an expertly shaken martini of authentic flavours, right down to several heart-pounding set pieces that surely belong on the big screen. Women... are in the driving seat in more senses than one, while Bond is an alluring mix of emotional detachment and death-defying heroics. Pure Pleasure.' * METRO * Anthony Horowitz knows exactly what ingredients are required to satisfy even the most gluttonous James Bond fan and serves them up with the confidence of the self-confessed aficionado that he is... In Trigger Mortis the reader finds set pieces expertly handled and genuinely exciting... it all makes for an energetic and satisfying read. * INDEPENDENT ON SUNDAY * 'Sexy, slick and full of suspense, this new Bond novel is perfect escapism.' * GRAZIA * There is a delicate line separating imitation from parody and Horowitz stays on the right side of it to perfection. * DAILY EXPRESS * Horowitz is doing something both clever and audacious...a clever and enjoyable pastiche, which manages to press many of the buttons that were the purview of 007's creator. * INDEPENDENT * Almost too good * EVENING STANDARD * Fleming fans certainly won't be disappointed. Trigger Mortis contains all the adrenaline you'd expect from a Bond novel with bags of humour, international jet-setting and a compelling cast of inventively named characters. It is, one suspects, a novel Fleming would be proud to have in the 007 canon. * SUNDAY EXPRESS * TRIGGER MORTIS is a blast. Set two weeks after the end of the novel Goldfinger in 1957, it has a superb plot based around the early space race and features the return of the best Bond girl of them all, Pussy Galore. * MAIL ON SUNDAY * A humdinger of a Bond story, so cunningly crafted and thrillingly placed that OO7's creator would have been happy to own it.... The book is the best Bond movie you'll ever see without actually having to see the movie. -- Simon Schama * FINANCIAL TIMES *