Introduction: The Alterity of Early Modern Audiences
Chapter 1: Audience Response to Performance: Fear of Riots, Closures and Unruly Playgoers
Chapter 2: Performance’s Response to Audience: The Relationship among Audience, Performance and Reality
Chapter 3: Fictional Audience’s Responses to Fictional Performances: The Didactic Role of Metadrama
Chapter 4: Unstable Texts, Active Readers; Stable Performances, Non-Reactive Playgoers
Chapter 5: Anti-Mimetic Drama: Performance’s Relationship to Reality and the Playgoer’s Interpretive Agency
Coda: Return to Malfi: The Secrecy of Performance and the Consequences of Constructing Playgoing
Eric Dunnum is an Assistant Professor of English at Campbell University.
'Eric Dunnum’s Unruly Audiences and the Theater of Control in Early Modern London is an interesting and informative read. [...] his dissenting voice is worth being noted, while several of his close readings contribute to present-day scholarly discussions of early modern drama in a meaningful way.'Natália Pikli, Eötvös Loránd University, Budapest, Hungarian Journal of English and American Studies'learned, lucid, and original'Chris Fitter, Modern Philology, vol. 121(4)
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