Debra Oswald is a writer for stage, television and fiction. She is co-creator and head writer of the successful TV series Offspring which recently finished its fifth season. Debra won the 2011 NSW Premier's Literary Award for the Offspring tele-movie script and the 2014 AACTA for Best TV Screenplay for the final episode of series 4. Her other television credits include award-winning episodes of Police Rescue, Palace of Dreams, The Secret Life of Us, Sweet and Sour and Banana in Pyjamas. Debra's stage plays have been produced around Australia. Gary's House, Sweet Road and The Peach Season were all shortlisted for the NSW Premier's Literary Award and Dags has had many productions. Gary's House has been performed in translation in Denmark and Japan. Mr Bailey's Minder was produced in Philadelphia in 2008. Debra has written three plays for young audiences - Skate, Stories in the Dark (NSW Premier's Play Award in 2008) and House on Fire. She is the author of three 'Aussie Bite' books and six novels for teenage readers, and the novel Useful, published in 2015..
'I don't know when I have had the absolute pleasure of immersing myself in a novel as rich and rewarding as Useful. With gimlet eye and boundless heart, Debra Oswald pulls together the threads of disparate lives, including an old dog, a suicidal loser, a narcissistic movie star and a crew of Khmer asbestos removers. Their fates entwine in a plot that is by turns dark and light, brimming with insight, mesmerising, and above all, true. This novel is more than useful, it's absolutely essential.' - Geraldine Brooks 'Debra Oswald is the master of character; no one escapes the truth yet no one is beyond redemption. Useful tossed my emotions around like a summer salad, with characters that are tragically broken yet supremely loveable.' - Eddie Perfect 'With characteristic charm, wit and humanity, Debra Oswald has crafted an irresistible story of metamorphosis, as Sullivan Moss evolves from a self-described bag of spare parts to something altogether more whole - and way more complicated. As Sullivan opts in to the mess that is life, Oswald makes the most of every twist and turn, while also finding room for poignancy, insightfulness and the ups and downs that are part of being human.' - Nick Earls