Elizabeth was born in 1959. She studied at Victoria University of Wellington and attended Bill Manhire's Creative Writing course. She is one of New Zealand's most successful writers and has a keen readership both in New Zealand and overseas. Daylight has had critics in the US comparing Knox to the queen of the vampire novelists, saying Daylight is 'on a par with the best Anne Rice has to offer' and calling it an 'illuminating tour-de-force', while Metro called it 'mysterious, thrilling, erotic'. Her 2001 novel Black Oxen was published simultaneously in the US, the UK and NZ and was a NZ number one bestseller. Billie's Kiss made a spectacular entry into the NZ bestseller list on the strength of one afternoon's sales and then shot straight to number one in the following list. It was also shortlisted in the 2002 Montana NZ Book Awards.
This imaginative story of the lifelong love between a man and an angel is the first of Knox's five books to appear outside her native New Zealand. In Burgundy one midsummer night in 1808, Sobran Jodeau, then 18, climbs to the ridge of his father's lands with two freshly bottled wines to lament his love troubles. Stumbling drunkenly, he is caught by the angel Xas, who smells of snow and describes himself "of the lowest of the nine orders. Unmentioned in Scripture and Apocrypha." They share the bottles, and Xas promises that this night next year he will toast Sobran's marriage‘leading Sobran to believe Xas is his protector and guide. Sobran marries the woman whose family strain of insanity his father fears, marches with the Grand Army to Moscow, inherits his father's vineyards and begins to prosper under his angelic "luck." However, Xas proves far different from a guardian angel, and as years pass (the meetings on midsummer eve continue, with some exceptions, to 1863) their attachment shifts, severs then mends, as Xas's complicated relationship with God and Lucifer gradually unfolds. Each year's meeting constitutes one chapter, titled with the name of a wine, from 1808, Vin Bourro (new wine), to 1863, Vinifie (to turn into wine). This by-annum structure makes possible a number of intriguing plot turns but prohibits a smooth narrative flow. Most intriguing are the glimpses we get of Hell, which Xas reveals is entered through a salt dome in Turkey, and Heaven, accessible through the lake of an Antarctic volcano. In Hell there is one copy of everything ever written, but in Heaven angels are the only copies God tolerates‘copies of man, who is in turn the copy of a woman. And Heaven, we learn in a clever epilogue dated 1997, looks like the Titanic. While this conception of an alternate universe is the novel's significant achievement, Knox's failure to convey a fully realized narrative voice (except in the portions where the characters write letters to each other) may leave the reader feeling impressed but not totally enthusiastic. (Dec.)