Contents
Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Part One
Coming Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Getting to Yes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Support for a Mother's Yes . . . . . . . . . . . . . . . . . . . . . . . . 27
Initiation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Medicine Women . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Life upon the Wicked Stage . . . . . . . . . . . . . . . . . . . . . . . 53
To Health . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Spring Shadows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
The Dying Room . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Celebrations of Ken . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Part Two
Reacting to the News . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Dreams and the Kindness of Strangers . . . . . . . . . . . . . 115
Preparations for a Healing . . . . . . . . . . . . . . . . . . . . . . . 127
To Brazil . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Beyond the Ends of the Earth . . . . . . . . . . . . . . . . . . . . 147
Extremely High-Tech Medicine . . . . . . . . . . . . . . . . . . . 157
Bone Marrow Summer . . . . . . . . . . . . . . . . . . . . . . . . . . 165
One Hundred Days Plus . . . . . . . . . . . . . . . . . . . . . . . . 173
Dancing on the Edge . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
Saying Good-Bye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Midwifery Again . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Ashes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
The Grandmother Ceremony . . . . . . . . . . . . . . . . . . . . . 219
Sheila K. Collins, PhD has been a dancer, social worker,
university professor, clinic director, writer, and improvisational
performance artist. She currently directs the Wing & A Prayer
Pittsburgh Players, an InterPlay-based improvisational performance
troupe that assists human service agencies in serving noble
purposes in the Pittsburgh community. Sheila has written about the
power of play, dance, and the expressive arts in her book,
Stillpoint: The Dance of Selfcaring, Selfhealing,a playbook for
people who do caring work and on her blog, Dancing With Everything
which is on her website, sheilakcollins.com. Her forthcoming book,
to be published by She Writes Press, Warrior Mother: A memoir of
fierce love, unbearable loss, and rituals that heal comes out in
April, 2013. ;
“We have to make art out of what happens to us,’ writes Sheila K.
Collins. Warrior Mother is a testament to how art making, done in a
sacred context, can transform tremendous loss. Collins reminds us
of the endurance and healing power of love—especially a mother’s
love.”
—Elizabeth Jarrett Andrew, author of Writing the Sacred Journey:The
Art and Practice of Spiritual Memoir
“Just as love survives death, so too does spirit supplant mere
survival. Collins has faced a parent’s worst fears and learned to
still dance in their wake. Warrior Mother is a mother’s manual of
profound honesty, hope, and healing.”
—Marc Nieson, author of Schoolhouse: A Memoir in 13 Lessons
“With courage and grace, Warrior Mother generously invites the
reader on a heartbreaking journey, with equal doses of candor and
sensitivity. Admirably free of self-pity, physically and
emotionally precise, this story is bound to enlighten others who
have grieved and healed from the loss of a child.”
—Sarah Saffian, author of Ithaka: A Daughter’s Memoir of Being
Found
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