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The terrifying thriller from the acclaimed and bestselling author of The Killing Kind
John Connolly is author of the Charlie Parker mysteries, The Book of Lost Things, the Samuel Johnson novels for young adults and, with his partner, Jennifer Ridyard, co-author of the Chronicles of the Invaders. John Connolly's debut - EVERY DEAD THING - introduced the character of Private Investigator Charlie Parker, and swiftly launched him right into the front rank of thriller writers. All his subsequent novels have been Sunday Times bestsellers. He was the winner of the 2016 CWA Short Story Dagger for On the Anatomization of an Unknown Man (1637) by Frans Mier from NIGHT MUSIC: Nocturnes Vol 2. In 2007 he was awarded the Irish Post Award for Literature. He was the first non-American writer to win the US Shamus award and the first Irish writer to win an Edgar award. BOOKS TO DIE FOR, which he edited with Declan Burke, was the winner of the 2013 Anthony, Agatha and Macavity awards for Best Non-Fiction work.
"I have learned to embrace the dead and they, in their turn, have found a way to reach out to me." It's becoming increasingly clear from pronouncements such as this that PI Charlie Parker is hardly your garden-variety mystery protagonist. In Connolly's latest spine-tingling opus (after The Killing Kind), readers gain further insights into the soul of this tormented man-a hero of uncommon depth and compulsions. We also learn more about Angel and Louis, Parker's longtime cronies (and gay Odd Couple) who function as Greek chorus, avenging angels and their buddy's conscience. Angel resembles "the runway model for a decorators' convention, assuming that the decorators' tastes veered toward five-six, semiretired gay burglars," while Louis possesses "six feet six inches of attitude, razor-sharp dress sense, and gay Republican pride." (Note to Connolly: how about a spin-off novel for these two idiosyncratic supporting players?) Parker's description of his newest case-"dead people, a mystery, more dead people"-exemplifies his bluntness; true to form, he's never far from a cutting remark or casual wisecrack (hearing that an especially odious character has "found Jesus," Parker observes, "I figure Jesus should be more careful about who finds Him"). When a former colleague who's practicing law in Charleston, S.C., asks for Parker's help on a racially charged murder case, Parker reluctantly leaves his Maine habitat. The South that he encounters is found in no guidebook: it's a pernicious locale where the good old boys are far from good, where country music speaks "of war and vengeance" and where one soulless individual "smelled of slow burning... like the odor left after an oil fire had just been extinguished." Adding eerie overtones to Connolly's intricately plotted tale are more of Parker's musings on the concept of death and the nature of evil-soliloquies often accompanied by spectral visions. The malevolence here is almost palpable (even more so than in Parker's earlier outings). 25-city author tour. (Mar.) Copyright 2003 Reed Business Information.
A powerful piece of American gothic with an arresting double ending. * The Sunday Times * One of the fastest-paced and most complex thrillers . . . A cracking read from an excellent and highly original writer. * Sunday Independent * Connolly has honed the private eye's instincts into a sensibility of palpable evil that makes a strong core to this intelligent thriller. * The Times *
In private detective Charlie Parker's fourth installment (after Every Dead Thing), Connolly continues the disturbing saga of the mentally and physically bruised Parker, who is a magnet for the most evil villains imaginable. Connolly, who lives in Ireland, depicts an America that chills to the bone. Here he interweaves America's brutal history of racism with today's white supremacist movement to create a backdrop for psychotic criminals whose territory includes the supernatural, as well as Maine and the swamps of South Carolina. The wounds of our racial history (for example, lynching), which most Americans would prefer to consider historical anomalies, are presented as evidence of an epic evil that must be confronted if yesterday's and today's victims are to rest. And once again, Charlie Parker is forced to confront his inner demons and those who seek to hurt his loved ones, including his tough and resourceful pregnant girlfriend. Parker still wrestles with his tendency toward moral absolutism, which is, thankfully, not exhibited by his two intriguing friends, Louis and Angel, a gay couple who stamp out evil in their own no-holds-barred fashion. Connolly's other titles in the series should be read in order, as villains reappear in them or are related in unpredictable ways. Recommended for public libraries. [Previewed in Prepub Alert, LJ 11/15/02.]-Lisa Bier, Southern Connecticut Univ., New London Copyright 2003 Reed Business Information.