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The Woman of Colour
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Table of Contents

Appendix A: Lucy Peacock, “The Creole” (1786)

Appendix B: Anonymous poem “written by a Mulatto Woman” (1794)

Appendix C: Minor Heiresses of Color in British Long Prose Fiction

  • Agnes Musgrave, Solemn Injunction (1798)
  • Jane Austen, Fragment of a Novel (1817)
  • Edmund Marshall, Edmund and Eleonora (1797)
  • Robert Bissett, Douglas; or, The Highlander (1800)
  • Mrs. Charles Mathews, Memoirs of a Scots Heiress (1791)
  • Appendix D: Historical and Social Accounts of People of Color in Jamaica

  • Bryan Edwards, The History, Civil and Commercial, of the British Colonies in the West Indies (1799)
  • Edward Long, The History of Jamaica (1774)
  • J.B. Moreton, West India Customs and Manners (1793)
  • Appendix E: People of Color in British Epistolary Narratives

  • Richard Griffith, The Gordian Knot (1769)
  • Hester Thrale, “Letter to Mrs. Pennington” (1802)
  • Clara Reeve, Plans of Education (1792)
  • Appendix F: The Woman of Colour: Contemporary Reviews

  • The British Critic (March 1810)
  • The Critical Review (May 1810)
  • The Monthly Review (June 1810)
  • Appendix G: Jamaican Petitions, Votes of the Assembly, and an Englishman’s Will

  • From Votes of the Honourable House of Assembly of Jamaica (1792)
  • From Andrew Wright’ “Last Will and Testament” (1806)
  • Select Bibliography

    About the Author

    Lyndon J. Dominique is Assistant Professor of Eighteenth-Century British Literature and Critical Race Studies at Georgetown University in Washington DC.

    Reviews

    “This exemplary edition of The Woman of Colour, with its abundant historical context, explores vital interconnections of race, gender, and class. Its rich contribution to the debate about cultural identity and colonial power marks it as a classic.” — Moira Ferguson, University of Missouri Kansas City “Women of colour in eighteenth-century literature have become a ‘spectral presence,’ pushed into the invisibility of darkness, their voices unread or ignored. Now what has been in darkness is restored to light, as Olivia Fairfield can be heard anew. Born in Jamaica into a society in which one of her parents had enslaved the other, she is forced by law and custom to travel to the heart of colonial darkness in England itself. In a manner ‘polite yet aggressive,’ she makes her voice heard.” — Lise Winer, McGill University

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