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Women Artists, Their Patrons, and Their Publics in Early Modern Bologna
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About the Author

Babette Bohn is Professor of Art History and Affiliate Faculty in Women and Gender Studies at Texas Christian University. She is the author of Le "Stanze" di Guido Reni: Disegni del maestro e della scuola and Ludovico Carracci and the Art of Drawing and coauthor of Federico Barroci: Renaissance Master of Color and Line.

Reviews

"This book is a monumental contribution to a rapidly growing body of studies on pioneering women artists. It will galvanize this field with fresh topics of discussion and a rich harvest of new archival findings."-Sheila Barker, Founding Director, Jane Fortune Research Program on Women Artists


"This important study by Babette Bohn, a seasoned art historian and expert on early modern Bologna, presents a comprehensive, in-depth picture of 'the Bolognese phenomenon,' i.e., the unusual surge of successful women artists in that Renaissance city. Bohn's book will be a valuable resource for scholars and students of art history and gender studies, and it is likely to become a methodological model for the study of women artists in other Renaissance cities."-Mary Garrard, author of Brunelleschi's Egg: Nature, Art, and Gender in Renaissance Italy

"There is no doubt that Babette Bohn's much-anticipated book analyzing the place of creative women in early modern Bologna will change the way we understand and teach early modern art. Building on several decades of scholarship on Bolognese women artists, and women artists more broadly, as well as her own earlier publications on this and related topics, Bohn assembles the strongest evidence to date explaining why the city of Bologna was such a centre for these women."-Jaqueline Marie Musacchio, Renaissance and Reformation

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