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Portfolio, by Yvonne Rainer "Why Have There Been No Great Women Artists?", by Linda Nochlin Rethinking the Artist in the Woman, the Woman in the Artist, and That Old Chestnut, the Gaze, by Griselda Pollock Mediating Generation, by Lisa Tickner Responding, by Molly Nesbit Portfolio, by Martha Rosler Duchess of Nothing, by Ewa Lajer-Burcharth Drawing Drawing, by Briony Fer The Inside Is the Outside, by Catherine de Zegher Responding, by Brigid Doherty Portfolio, by Ann Hamilton Hairlines, by Tamar Garb The She-Fox, by Mignon Nixon Difference and Disfiguration, or Trockel as Mime, by Anne M. Wagner Responding, by Emily Apter Portfolio, by Mary Kelly Francesca Woodman, by Carol Armstrong Taunting and Haunting, by Abigail Solomon-Godeau Sally Mann, by Anne Higonnet Responding, by Maria diBattista Portfolio, by Ellen Gallagher
Carol Armstrong is Doris Stevens Professor of Women's Studies in the Department of Art and Archaeology at Princeton University. She is the author of Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (MIT Press, 1998). Catherine de Zegher was Director of The Drawing Center in New York from 1999 to 2006. She is the editor of Inside the Visible: An Elliptical Traverse of Twentieth Century Art in, of, and from the Feminine (MIT Press, 1996).