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Portfolio, by Yvonne Rainer"Why Have There Been No Great Women Artists?", by Linda NochlinRethinking the Artist in the Woman, the Woman in the Artist, and That Old Chestnut, the Gaze, by Griselda PollockMediating Generation, by Lisa TicknerResponding, by Molly NesbitPortfolio, by Martha RoslerDuchess of Nothing, by Ewa Lajer-BurcharthDrawing Drawing, by Briony FerThe Inside Is the Outside, by Catherine de ZegherResponding, by Brigid DohertyPortfolio, by Ann HamiltonHairlines, by Tamar Garb The She-Fox, by Mignon NixonDifference and Disfiguration, or Trockel as Mime, by Anne M. WagnerResponding, by Emily ApterPortfolio, by Mary KellyFrancesca Woodman, by Carol ArmstrongTaunting and Haunting, by Abigail Solomon-GodeauSally Mann, by Anne HigonnetResponding, by Maria diBattistaPortfolio, by Ellen Gallagher
Carol Armstrong is Doris Stevens Professor of Women's Studies in the Department of Art and Archaeology at Princeton University. She is the author of Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (MIT Press, 1998). Catherine de Zegher was Director of The Drawing Center in New York from 1999 to 2006. She is the editor of Inside the Visible: An Elliptical Traverse of Twentieth Century Art in, of, and from the Feminine (MIT Press, 1996).