Win McCormack is publisher and editor-in-chief of Tin House magazine. He has been in the magazine and book publishing business since 1976. He published Oregon Magazine from 1976 to 1988, and has also been involved in publishing Oregon Business, Oregon Home, Travel Oregon, Military History Quarterly, and Art and Auction magazines, and was involved in the start-up of Mother Jones. He is editor of the books Profiles of Oregon, Great Moments in Oregon History, and The Rajneesh Chronicles, and won a William Allen White award for his investigative coverage of the Rajneesh cult from 1982-1986. He writes on politics and wrote the article "Deconstructing the Election: Foucault, Derrida and GOP strategy," about the presidential election debacle in Florida in 2000, for the Nation. He holds a BA in Government from Harvard College and an MFA in Creative Writing from the University of Oregon. Holly MacArthur lives in Portland, OR. Rob Spillman is editor of Tin House magazine and executive editor of Tin House Books. He was previously the monthly book columnist for Details magazine and is a contributor of book reviews and essays to Salon and Bookforum. He has written for the Baltimore Sun, the Boston Review, British GQ, Connoisseur, Details, Nerve, the New York Times Book Review, Premiere, Rolling Stone, Spin, Sports Illustrated, SPY, Vanity Fair, Vogue, and Worth, among other magazines, newspapers, and online magazines. He has also worked for Random House, Vanity Fair, and the New Yorker. Michelle Wildgen is the author of the novel You're Not You (St. Martin's/Dunne). She is a senior editor at Tin House magazine, where she edits the Readable Feast and Blithe Spirits departments, and an editor at Tin House Books. Her writing has appeared in Best New American Voices 2004, Best Food Writing 2004, the anthology Death by Pad Thai, the journals StoryQuarterly, TriQuarterly, Prairie Schooner, Small Spiral Notebook, and elsewhere.
"Taken in isolation, each of these interviews (with only a few lackluster exceptions) acts as a stunning glimpse into a remarkable mind. Taken in their totality, the interviews begin to snick against each other until it seems that the authors are sparring in some marvelous palaver, and that you, lucky reader, are a bystander at the greatest literary dinner party ever held." -Nathan Ihara, "LA Weekly""It's a collection of interviews with writers that has an impossibly long subtitle and an equally high number of quality interviews." -Jeff Baker, "The Oregonian""