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The Writing Experiment
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Table of Contents

Preface Introduction Part 1: Introductory strategies Chapter 1: Playing with language, running with referents Chapter 2: Genre as a moveable feast Chapter 3: Working out with structures Chapter 4: Writing as recycling Chapter 5: Narrative, narratology, power Chapter 6: Dialoguing Part 2: Advanced strategies Chapter 7: Postmodern f(r)ictions Chapter 8: Postmodern poetry, avant-garde poetics Chapter 9: The invert, the cross-dresser, the fictocritic Chapter 10: Tongues, talk and technologies Chapter 11: New media travels Chapter 12: Mapping worlds, moving cities Conclusion: The ongoing editor Acknowledgments Index

About the Author

Hazel Smith is Senior Research Fellow in the School of Creative Communication, University of Canberra, Co-leader of the Sonic Communications Research Group and Deputy Director of the University of Canberra Centre for Writing. She founded the creative writing program at the University of New South Wales. She is author of Hyperscapes in the Poetry of Frank O'Hara and co-author of Improvisation, Hypermedia and the Arts Since 1945. She has published two books of poetry, two CDs of performance work and numerous multimedia and hypermedia works.

Reviews

'A systematic and engaging approach to creative writing' - Carla Harryman, Wayne State University

By suggesting that students who are not born poets can yet learn to become good ones, Smith performs a very important service.' - Professor Susan M. Schultz, University of Hawaii

This is an impressive book, because it covers areas of creative writing practice and theory that have not been covered in published form It links radical practice with radical (but better-known) theory, and will appeal to anyone looking for a different approach ' - Robert Sheppard, Edge Hill College of Higher Education, UK

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