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The Year of the Flood
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Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, the preservation of all species, the tending of the Earth, and the cultivation of bees and organic crops on flat rooftops - has long predicted the Waterless Flood. Now it has occurred, obliterating most human life. Two women have avoided it: the young trapeze-dancer, Ren, locked into the high-end sex club, Scales and Tails; and former SecretBurgers meat-slinger turned Gardener, Toby, barricaded into the luxurious AnooYoo Spa, where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda, or the MaddAddam eco-fighters? Ren's one-time teenage lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the CorpSeCorps, the shadowy and corrupt policing force of the ruling powers...Meanwhile, in the natural world, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through a ruined world, singing their devotional hymns and faithful to their creed and to their Saints - Saint Francis Assisi, Saint Rachel Carson, and Saint Al Gore among them - what odds for Ren and Toby, and for the human race? By turns dark, tender, violent, thoughtful and uneasily hilarious, The Year of the Flood is Atwood at her most effective.
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Promotional Information

The hugely anticipated new novel from the acclaimed Margaret Atwood, whose credentials including both winning and twice being shortlisted for the Booker Prize. Margaret Atwood's novels are always bestsellers; The Blind Assassin has sold half a million copies in the UK alone. Margaret Atwood will personally launch this book with an unprecedented 'dramatic and musical presentation tour' throughout the UK, and will get huge media coverage.

About the Author

Margaret Atwood is the author of more than thirty books of fiction, poetry and critical essays. In addition to the classic The Handmaid's Tale, her novels include Cat's Eye, which was shortlisted for the Booker Prize, Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy, and The Blind Assassin, winner of the 2000 Booker Prize. Her most recent novel, Oryx and Crake, was shortlisted for the Man Booker Prize in 2003. She lives in Toronto, Canada.

Reviews

In her 2002 speculative novel, Oryx and Crake, Margaret Atwood depicted a dystopic planet tumbling toward apocalypse. The world she envisaged was in the throes of catastrophic climate change, its wealthy inhabitants dwelling in sterile secure compounds, its poor ones in the dangerous "pleeblands" of decaying inner cities. Mass extinctions had taken place, while genetic experiments had populated the planet with strange new breeds of animal: liobams, Mo'Hairs, rakunks. At the end of the book, we left its central character, Jimmy, in the aftermath of a devastating man-made plague, as he wondered whether to befriend or attack a ragged band of strangers. The novel seemed complete, closing on a moment of suspense, as though Atwood was content simply to hint at the direction life would now take. In her profoundly imagined new book, The Year of the Flood, she revisits that same world and its catastrophe. Like Oryx and Crake, Year of the Flood begins just after the catastrophe and then tracks back in time over the corrupt and degenerate world that preceded it. But while the first novel focused on the privileged elite in the compounds and the morally bankrupt corporations, The Year of the Flood depicts more of the world of the pleebs, an edgy no-man's land inhabited by criminals, sex workers, dropouts and the few individuals who are trying to resist the grip of the corporations. The novel centers on the lives of Ren and Toby, female members of a fundamentalist sect of Christian environmentalists, the God's Gardeners. Led by the charismatic Adam One, whose sermons and eco-hymns punctuate the narrative, the God's Gardeners are preparing for life after the prophesied Waterless Flood. Atwood plays some of their religion for laughs: their hymns have a comically bouncing, churchy rhythm, and we learn that both Ren and Toby have been drawn toward the sect for nonreligious reasons. Yet the gentleness and benignity of the Gardeners is a source of hope as well as humor. As absurd as some of their beliefs appear, Atwood seems to be suggesting that they're a better option than the naked materialism of the corporations. This is a gutsy and expansive novel, rich with ideas and conceits, but overall it's more optimistic than Oryx and Crake. Its characters have a compassion and energy lacking in Jimmy, the wounded and floating lothario at the previous novel's center. Each novel can be enjoyed independently of the other, but what's perhaps most impressive is the degree of connection between them. Together, they form halves of a single epic. Characters intersect. Plots overlap. Even the tiniest details tessellate into an intricate whole. In the final pages, we catch up with Jimmy once more, as he waits to encounter the strangers. This time around, Atwood commits herself to a dramatic and hopeful denouement that's in keeping with this novel's spirit of redemption. Marcel Theroux's most recent novel, Far North, was published by Farrar, Straus & Giroux in June. Copyright 2009 Reed Business Information.

Praise for Margaret Atwood: 'Margaret Atwood is one of the most brilliant and unpredictable novelists alive' - Literary Review 'Margaret Atwood deserves an adjective - Atwoodian - in recognition of her virtuoso wit and unmistakeable style' - Chicago Tribune 'Everything she forms in words has substance and weight' - Daily Telegraph

Never one to rest on her laurels, famed Canadian author Atwood redeems the word sequel with this brilliant return to the nightmarish future first envisioned in Oryx and Crake. Contrary to expectations, the waterless flood, a biological disaster predicted by a fringe religious group, actually arrives. In its wake, the survivors must rely on their wits to get by, all the while reflecting on what went wrong. Atwood wins major style points here for her framing device, the liturgical year of the God's Gardeners sect. Readers who enjoy suspense will also appreciate the story's shifting viewpoint and nonlinear time line, which result in the gradual revelation of key events and character relationships. Atwood's heroines seem uniformly grim and hollow, but one can hardly expect cheerfulness in the face of the apocalypse, and the hardships of their lives both pre- and postflood are moving and disturbing. VERDICT Another win for Atwood, this dystopian fantasy belongs in the hands of every highbrow sf aficionado and anyone else who claims to possess a social conscience. [See Prepub Alert, LJ 6/1/09.]-Leigh Anne Vrabel, Carnegie Lib. of Pittsburgh Copyright 2009 Reed Business Information.

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