Gardner Dozois has been honored with the Hugo Award for best editor
seven times. He edits "Asimov's Science Fiction" magazine and
numerous anthologies from his home in Philadelphia, where he lives
with his wife, Susan Casper.
There's little doubt that Dozois (Dying for It) is to the 1980s and 1990s what John W. Campbell Jr., was to the 1940s and 1950sÄthe finest editor in the world of short SF. Asimov's, which he edits, routinely earns half or more of the short-fiction nominations for the Hugo and Nebula awards each year, and his anthologies are equally strong. This collection features nine clearly deserving stories from Asimov's, plus 19 other excellent pieces from the Magazine of Fantasy and Science Fiction, Analog, Science Fiction Age, Interzone and a variety of original anthologies and less well-known magazines. The stories range widely in type, from the highly literate work of John Kessel and James Patrick Kelly to the hard SF of G. David Nordley and Geoffrey A. Landis; from the alternate history of William Sanders and Howard Waldrop to the upscale space opera of Walter Jon Williams and Robert Reed. Among the best-known writers represented are Robert Silverberg, Nancy Kress and Gregory Benford. Of particular interest is the large number of non-American writers. Brits Paul J. McAuley, Stephen Baxter, Peter F. Hamilton, Gwyneth Jones, Ian McDonald and Brian Stableford, along with the hot Australian writer Greg Egan (represented by two stories), contribute nearly half the volume. Also included are Dozois's usual summation of the year in SF and his valuable list of honorable mentions. This anthology represents contemporary SF at its very best. (June) FYI: Dozois is a nine-time winner of the Hugo Award for best editor.
This collection of 28 stories by sf's cream of the crop testifies to the healthy state of the genre. From William Gibson's future look at the homeless (``Skinner's Room'') to Kristine Kathryn Rusch's tribute to Civil War photographer Mathew Brady (``The Gallery of His Dream''), Dozois's choices exhibit the varied interests of their authors. Including an informative summary of sf publishing in 1991 and an appendix of recommended reading, this volume is a good choice for libraries interested in keeping abreast of sf short fiction.