Rebecca Watson writes for publications including the Financial Times, The Times Literary Supplement, and Granta. In 2018 she was short-listed for the White Review Short Story Prize. This is her debut novel.
"Reading little scratch has broken my heart and opened my mind. It
is a daring display of experience that persists and persists and
never loses its light." —Jenny Slate, New York Times bestselling
author of Little Weirds
"Technology is affecting the way we think, and Rebecca Watson’s
little scratch is a novel that captures this. . . Watson lets
the words flow, jumbled and urgent as our thoughts are, like
Kerouac and his scrolls . . .This isn’t a long book; that’s part of
how the author is able to pull it off. . .But it charms. The book’s
unconventional strategy fell away as I read; I cared about the
narrator as one does a well-drawn character. She scratches at her
skin throughout the book, and eventually I felt it."—The New
Republic
"Watson depicts her protagonist’s consciousness by way of striking
formal structures, using typographical tricks to illustrate the
cacophonous complexity of inner life. . . While this could be
distracting, or even indulgent, in lesser hands, Watson’s
experiments serve to both deepen our immersion and reify the buried
pain at the novel’s center. . . little scratch absorbs the more
fragmented forms of attention and makes of them something rich,
assured and sad."—New York Times Book Review
"[The protagonist is] funny and relatable . . . [T]he writing is
economical. It’s a quick read. It takes a regular day and renders
it irregularly, interestingly. It presents grief, violence,
self-harm and self-doubt in an unusual fashion, driving home just
how disorienting and destabilizing these forces can be. It is of
the #MeToo era, tackling both catcallers and unrepentant predators,
but exists on a plane all its own."—Washington Post
"[little scratch] is a powerful debut from Financial Times
journalist Watson, making her one of the year's best new writers to
watch."—Bustle
“I was immediately enveloped in the staccato of little scratch,
which spun between wry, funny and heartbreaking. It captures
beautifully a rhythm not just of trauma, but also of the small,
defiant, everyday happinesses that push through and against it.”
—Sophie Mackintosh, author of The Water Cure and Blue Ticket
"Rebecca Watson's little scratch is an immersive experience, an
exhilarating plunge into the mundanity and the horror and the
mundane horror of a day in a life that is not quite right. It's
experimental in the best sense of the word: Watson bends form
to accommodate a narrator who wants desperately to communicate
but cannot quite bring herself to speak."—Miranda Popkey, author of
Topics of Conversation
"An inventive, immersive debut... Watson’s clever convention
and set pieces are not simply flourishes but integral to the plot
and themes... A haunting, virtuosic performance."—Publishers
Weekly, *Starred Review*
"One of the most captivating books of the year...A revolutionary
#MeToo tale focusing less on the act of trauma than the impossible
task of healing, little scratch is a challenging work of
experimental fiction."—Shelf Awareness
"Formally daring and unique, the novel’s structure mirrors the ways
the woman’s mind jumps from mundane moments to the life-changing
ones."—The Millions
"The unnamed narrator of this debut novel is an Everywoman...The
physical form of the narrative reproduces the experience of the
woman's scattered thoughts... which overlap, interrupt each other,
merge, and battle in the saturated “now” of the book’s overwhelming
immediacy. The result is an unusual reading experience which
relates both the mundane and the revelatory...A daring book whose
innovations are balanced by the sad familiarity of its
pain."—Kirkus Review
"Witty, defiant, tender… what a book!"—Olivia Sudjic, author of
Sympathy and Exposure
"Reads like the cinders settling in the air after an explosion...
daring and completely readable."—Colin Barrett, author of Young
Skins
"Rebecca Watson's little scratch voraciously captures our
life... Watson uses language with a sniper's precision to
target and capture the million little re-calibrations of the self
that a young woman has to undertake in order to go from one day to
the next. . . It is a story that is urgent. It is a story that
needs to be told."—Meena Kandasamy, author of When I Hit You
"Confident and vital. . . little scratch is an absolute
gift."—Naoise Dolan, author of Exciting Times
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