About the Author

Jean-Patrick Manchette (1942–1995) was a genre-redefining French crime novelist, screenwriter, critic, and translator. In 1971 he published his first novel, a collaboration with Jean-Pierre Bastid, and went on to produce ten subsequent works over the course of the next two decades, establishing a new genre of French novel, the néo-polar (distinguished from the traditional detective novel, or polar, by its political engagement and social radicalism). Manchette’s Fatale, The Mad and the Bad, Ivory Pearl, Nada, and No Room at the Morgue are also available from NYRB Classics.

Donald Nicholson-Smith was born in Manchester, England, and is a longtime resident of New York City. For NYRB Classics, he has translated Manchette’s Fatale, The Mad and the Bad, Ivory Pearl, and Nada as well as Jean-Paul Clébert’s Paris Vagabond and Frédéric Pajak’s Uncertain Manifesto; and for NYR Comics The Green Hand and Dead Season by Nicole Claveloux and Yellow Negroes and Other Imaginary Creatures by Yvan Alagbé.

Gary Indiana is a critic and novelist. His most recent books include I Can Give You Anything But Love, a memoir, and Tiny Fish That Only Want to Kiss, a collection of short fiction. His writing has appeared in New York magazine, The New York Times, Vice, the London Review of Books, and many other publications.

Reviews

“I believe Jean-Patrick Manchette is one of the greatest writers since Dashiell Hammett. . . . Like Hammett before him, Manchette stands apart, further yet to the left, as extreme and as far as any writer has yet dared to stand.” —David Peace

“Manchette’s characters are men and women who have been thoroughly beat down by capitalism and the false promises of democracy. . . . The reader is always aware of larger forces working behind the main plot, molding the individual characters and their relationships to each other. The author does not condemn them any more or less than society does. He merely asks: How the hell did it all come to this?” —Tom Roberge, Los Angeles Review of Books

“The publication of another novel by Jean-Patrick Manchette . . . is a reason to rejoice. . . [In The N’Gustro Affair] the muscular prose is vivid (‘Hate is so tiresome,’ one character opines with devastating effect), and the examination of ideology gone rancid is gutting and powerful.” —Sarah Wienman, The New York Times Book Review

“This was the first of Manchette's thrillers, but already finds him in fine form. . . A solidly gripping read. If, in part, very raw, The N'Gustro Affair is also bracingly refreshing.” —M.A. Orthofer, The Complete Review

“A tight and beautifully put-together novel. . . Stark perfection.” —Tosh Berman