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Bad [Special Edition Bonus Tracks]
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Album: Bad [Special Edition Bonus Tracks]
# Song Title   Time
1)    Bad
2)    Way You Make Me Feel, The
3)    Speed Demon
4)    Liberian Girl
5)    Just Good Friends
6)    Another Part of Me
7)    Man in the Mirror - (featuring The Winans)
8)    I Just Can't Stop Loving You
9)    Dirty Diana
10)    Smooth Criminal
11)    Leave Me Alone
12)    [Voice-Over Intro/Quincy Jones Interview #1]
13)    Streetwalker - (previously unreleased)
14)    [Voice-Over Intro/Quincy Jones Interview #2]
15)    Todo Mi Amor Eres Tu (I Just Can't Stop Loving You)
16)    [Quincy Jones Interview #3]
17)    [Voice-Over Intro/Fly Away]
18)    Fly Away - (previously unreleased)
 

Album: Bad [Special Edition Bonus Tracks]
# Song Title   Time
1)    Bad
2)    Way You Make Me Feel, The
3)    Speed Demon
4)    Liberian Girl
5)    Just Good Friends
6)    Another Part of Me
7)    Man in the Mirror - (featuring The Winans)
8)    I Just Can't Stop Loving You
9)    Dirty Diana
10)    Smooth Criminal
11)    Leave Me Alone
12)    [Voice-Over Intro/Quincy Jones Interview #1]
13)    Streetwalker - (previously unreleased)
14)    [Voice-Over Intro/Quincy Jones Interview #2]
15)    Todo Mi Amor Eres Tu (I Just Can't Stop Loving You)
16)    [Quincy Jones Interview #3]
17)    [Voice-Over Intro/Fly Away]
18)    Fly Away - (previously unreleased)
 
Product Description
Product Details

Tracks

1. Bad

2. The Way You Make Me Feel

3. Speed Demon

4. Liberian Girl

5. Just Good Friends

6. Another Part Of Me

7. Man In The Mirror

8. I Just Can't Stop Loving You

9. Dirty Diana

10. Smooth Criminal

11. Leave Me Alone

12. Streetwalker (Bonus Trk)

13. Ijust Can't Stop Loving You (Bonus Trk)

14. Fly Away (Bonus Trk)

Performer Notes
  • Personnel includes: Michael Jackson (vocals); Stevie Wonder (vocals, keyboards); The Winans (vocals); David Williams, Eric Gale, Steve Stevens, Bill Bottrell, Dann Huff, Michael Landau, Paul Jackson Jr. (guitar); Larry Williams (saxophone, keyboards, programming); Kim Hutchcroft (saxophone); Gary Grant, Jerry Hey (trumpet); John Barnes (piano, keyboards); Kevin Maloney (piano); Jimmy Smith (Hammond organ); Christopher Currell, Michael Boddicker, David Paich, Greg Phillinganes, Rhett Lawrence, Glen Ballard, Randy Kerber, Denny Jaeger (keyboards); Nathan East (bass); Ollie E. Brown (drums, percussion); John Robinson, Ndugu Chancler, Miko Brando, Humberto Gatica, Bruce Swedien (drums); Paulinho da Costa (percussion); Douglas Getschal, Cornelius Mims, Eric Persing, Steve Porcaro, Casey Young (programming).
  • Recorded at Westlake Audio Studios, Los Angeles, California. Originally released on Epic (40600).
  • Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
  • Personnel: Michael Jackson (vocals, claves, percussion, background vocals); Stevie Wonder (vocals, synthesizer); Michael Thomas Jackson (vocals, percussion, background vocals); Siedah Garrett (vocals, background vocals); Letta Mbulu (chant); Christopher Currell (guitar, keyboards, Synclavier, rub-board); Bill Bottrell (guitar, drums); Dann Huff, Eric Gale , Michael Landau, Paul Jackson, Jr. , Steve Stevens , David E. Williams (guitar); Larry Andrew Williams (saxophone, synthesizer, drum programming); Larry Williams (saxophone, drum programming); Kim Hutchcroft (saxophone); Gary Grant, Jerry Hey (trumpet); John Barnes (piano, synthesizer); Greg Phillinganes (keyboards, synthesizer); David Paich, Glen Ballard, Michael Boddicker, Randy Waldman, Rhett Lawrence, Randy Kerber (synthesizer); Casey Young (Synclavier); Ollie E. Brown (drums, percussion); John "J.R." Robinson , Humberto Gatica, Miko Brando, John "4 Daddman" Robinson, Leon "Ndugu" Chancler, Bruce Swedien (drums); Paulinho Da Costa (percussion); Cornelius Mims (drum programming); Perry Morgan, Linda "Peaches" Green, Francine Howard, Geary Faggett, Voncielle Faggett, Jean Johnson, Alfie Silas, Marvin Winans, Maxi Anderson, Michael Winans, Andra? Crouch, Andrew Gouch?, Ron Winans, Ronald Winans, Rose Banks, Sandra Crouch, Carvin Winans (background vocals).
  • Audio Mixer: Bruce Swedien.
  • Audio Remasterer: Bernie Grundman.
  • Recording information: Westlake Audio Studio, Los Angeles, CA (01/05/1987-07/09/1987).
  • Editor: Stuart Brawley.
  • Photographers: Matthew Rolston; Greg Gorman; Harrison Funk; Sam Emerson.
  • Arranger: Caiphus Semenya.
  • The downside to a success like Thriller is that it's nearly impossible to follow, but Michael Jackson approached Bad much the same way he approached Thriller -- take the basic formula of the predecessor, expand it slightly, and move it outward. This meant that he moved deeper into hard rock, deeper into schmaltzy adult contemporary, deeper into hard dance -- essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn't a bad thing, but it's not a rousing success, either. For one thing, the material just isn't as good. Look at the singles: only three can stand alongside album tracks from its predecessor ("Bad," "The Way You Make Me Feel," "I Just Can't Stop Loving You"), another is simply OK ("Smooth Criminal"), with the other two showcasing Jackson at his worst (the saccharine "Man in the Mirror," the misogynistic "Dirty Diana"). Then, there are the album tracks themselves, something that virtually didn't exist on Thriller but bog down Bad not just because they're bad, but because they reveal that Jackson's state of the art is not hip. And they constitute a near-fatal dead spot on the record -- songs three through six, from "Speed Demon" to "Another Part of Me," a sequence that's utterly faceless, lacking memorable hooks and melodies, even when Stevie Wonder steps in for "Just Good Friends," relying on nothing but studiocraft. Part of the joy of Off the Wall and Thriller was that craft was enhanced with tremendous songs, performances, and fresh, vivacious beats. For this dreadful stretch, everything is mechanical, and while the album rebounds with songs that prove mechanical can be tolerable if delivered with hooks and panache, it still makes Bad feel like an artifact of its time instead a piece of music that transcends it. And if that wasn't evident proof that Jackson was losing touch, consider this -- the best song on the album is "Leave Me Alone" (why are all of his best songs paranoid anthems?), a tune tacked on to the end of the CD and never released as a single, apart from a weirdly claustrophobic video that, not coincidentally, was the best video from the album. [The 2001 reissue adds three songs that had never been released in America ("Streetwalker," "Todo Mi Amore Eres Tu," and "Fly Away,") interviews with producer Quincy Jones, and a new booklet] ~ Stephen Thomas Erlewine
Professional Reviews
Q (Magazine) (p.126) - "[W]ith Jackson still intent on pushing the limits, from the pulsating title track to 'Man In The Mirror''s baroque gospel finale....Compelling...'
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