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Bloody Kisses
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Album: Bloody Kisses
# Song Title   Time
1)    Machine Screw Album Version More Info... 0:41
2)    Christian Woman Album Version More Info... 8:58
3)    Black No.1 (Little Miss Scare-All) Album Version More Info... 11:15
4)    Fay Wray Come Out And Play Album Version More Info... 1:04
5)    Kill All The White People Album Version More Info... 3:24
6)    Summer Breeze Album Version More Info... 4:51
7)    Set Me On Fire Album Version More Info... 3:28
8)    Dark Side Of The Womb Album Version More Info... 0:28
9)    We Hate Everyone Album Version More Info... 6:51
10)    Bloody Kisses (A Death In The Family) Album Version More Info... 10:56
11)    3.O.I.F. Album Version More Info... 2:06
12)    Too Late: Frozen Album Version More Info... 7:51
13)    Blood & Fire Album Version More Info... 5:33
14)    Can't Lose You Album Version More Info... 6:06
 
Album: Bloody Kisses
# Song Title   Time
1)    Machine Screw Album Version More Info... 0:41
2)    Christian Woman Album Version More Info... 8:58
3)    Black No.1 (Little Miss Scare-All) Album Version More Info... 11:15
4)    Fay Wray Come Out And Play Album Version More Info... 1:04
5)    Kill All The White People Album Version More Info... 3:24
6)    Summer Breeze Album Version More Info... 4:51
7)    Set Me On Fire Album Version More Info... 3:28
8)    Dark Side Of The Womb Album Version More Info... 0:28
9)    We Hate Everyone Album Version More Info... 6:51
10)    Bloody Kisses (A Death In The Family) Album Version More Info... 10:56
11)    3.O.I.F. Album Version More Info... 2:06
12)    Too Late: Frozen Album Version More Info... 7:51
13)    Blood & Fire Album Version More Info... 5:33
14)    Can't Lose You Album Version More Info... 6:06
 
Product Description
Product Details
Performer Notes
  • Type O Negative includes: Josh Silver, Peter Steele. Kenny Hickey.
  • Additional personnel: Paul Bento (sitar, tambura).
  • Recorded at Systems Two, Brooklyn, New York.
  • Composer: Pete Steele .
  • Personnel: Erasmus High School Boys Special Ed (vocals, background vocals); Chris Zamp, Karen Rose, Bonnie Weiss, Debbie Alter, Mike Palmeri, Bensonhoist Lesbian Choir, Joey Z. , Alan Robert, Pete Steele (vocals); Paul Bento (sitar, tamboura); Keith Caputo (background vocals).
  • Recording information: Sty In the Sky, Brooklyn, NY; Systems Two Studios, Brooklyn, NY.
  • Ensemble: Erasmus High School Boys Special Ed.
  • Photographers: John Wadsworth; Jeff Kitts.
  • Type O Negative has delivered either death-metal's first prog-rock concept album, or its "Good Vibrations"...or maybe both. Either way BLOODY KISSES is one of the most alluringly weird albums in the history of the genre--an hour-long ode to break-ups and suicide that mixes acoustic guitars and synthesizers with metallic power chords, and lush choral harmonies with a lead vocalist who sounds like he died sometime before the recording process began. That last bit is meant as a compliment; if you're going to attempt an eleven-minute suicide dirge like the title track, you better be either Leonard Cohen or dead, and Type O's Peter Steele has a bit of both in him.
  • For most of BLOODY KISSES, though, Steele and crew come alive as pop studio experimentalists in a field dominated by anti-pop, anti-studio shredders. "Christian Woman" is a three-part epic that ebbs and flows with a slow metal groove, pretty background vocals, synthesized strings, and a morose lead voice that spells out a story of sex, death and Jesus. "Too Late: Frozen" places a bright pop chorus over chord changes that echo Bruce Springsteen's "Tunnel Of Love." There's a surf-y organ line buried in "Blood & Fire." The best pop joke of them all, if that's what it is, is a heavily psychedelic cover of Seals & Crofts' "Summer Breeze"; try listening to the song (which is done straight) while reading the lyric sheet (which is not).
Professional Reviews
Kerrang (Magazine) (p.56) - "[T]he band specialised in deep, slow, sensual thrusts laced with black humour and the occasional slash of fired-up punk menace."

Record Collector (magazine) (p.98) - 3 stars out of 5 -- "[The album] veered from hardcore punk via straightahead MTV fodder to ambient noise experiments....It's still highly entertaining."
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