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Blue Kentucky Girl [Bonus Tracks] [Remaster]

Album: Blue Kentucky Girl [Bonus Tracks] [Remaster]
# Song Title   Time
1)    Sister's Coming Home
2)    Beneath Still Waters
3)    Rough and Rocky
4)    Hickory Wind
5)    Save the Last Dance for Me
6)    Sorrow in the Wind
7)    They'll Never Take His Love from Me
8)    Everytime You Leave
9)    Blue Kentucky Girl
10)    Even Cowgirls Get the Blues
11)    Cheatin' Is - (previously unreleased)
12)    I Know an Ending When It Comes - (previously unreleased)
Product Details


1. Sister's Coming Home - With Tanya Tucker

2. Beneath Still Waters

3. Rough And Rocky

4. History Wind

5. Save The Last Dance For Me

6. Sorry In The Wind - With Sharon White And Cheryl White

7. They'll Never Take His Love From Me

8. Everytime You Leave - Don Everly

9. Blue Kentuckygirl

10. Even Cowgirls Get The Blues

11. Cheatin' Is - With Glen Campbell (Bonus Track)

12. I Know An Ending When It Comes (Bonus Track)

Performer Notes
  • Includes two previously unreleased bonus tracks.
  • Emmylou Harris & The Hot Band: Emmylou Harris (vocals, acoustic guitar); Albert Lee (guitar, mandolin); James Burton, Rodney Crowell (guitar); Hank DeVito (pedal steel guitar); Ricky Skaggs (fiddle, background vocals); Glen D. Hardin, Tony Brown (piano); Emory Gordy, Mike Bowden (bass); John Ware (drums).
  • Additional personnel: Tanya Tucker, Sharon Hicks, Cheryl Warren, Don Everly, Glenn Campbell (vocals); Brian Ahern (guitar, banjo); Ben Keith (pedal steel guitar); Mickey Raphael (harmonica); Lincoln Davis, Jr. (accordion); Bill Payne (piano); Duke Bardwell (bass); Ronnie Tutt (drums); Dolly Parton, Linda Ronstadt (background vocals).
  • Recorded at the Enactron Truck, Beverly Hills, California. Originally released on Warner Bros. (3318).
  • Personnel: Emmylou Harris (acoustic guitar, electric guitar); Albert Lee (acoustic guitar, electric guitar, mandolin); Brian Ahern (acoustic guitar, banjo, percussion); James Burton, Frank Reckard (electric guitar); Ricky Skaggs (mandolin, fiddle, background vocals); Wayne Goodwin (fiddle); Mickey Raphael (harmonica); Lincoln Davis (accordion); Glen D. Hardin, Bill Payne (piano); Don Heffington, John Ware (drums); Cheryl White, Dolly Parton, Fayssoux Starling, Sharon White, Linda Ronstadt (background vocals).
  • Audio Mixers: Doug Beal; Brian Ahern.
  • Liner Note Author: Parke Puterbaugh.
  • Recording information: The Enaction Truck, Beverly Hills, CA (1979).
  • Photographers: Charlyn Zlotnik; Tom Wilkes .
  • Arranger: Brian Ahern.
  • Emmylou Harris' albums of the '70s all follow a well-defined game plan. First, she selects a stellar repertoire of classic country songs, new material from neo-traditionalists like Rodney Crowell, and one rock oldie (this time it's the Drifters' "Save the Last Dance for Me," which Harris took into country music's top-five). She then surrounds herself with Nashville's finest players-such as guitarists James Burton and Albert Lee, fiddler/mandolinist/singer extraordinaire Ricky Skaggs, and pedal-steel wizard Hank DeVito. Finally, Harris pours her heart and soul into every vocal performance. The resulting albums, of which BLUE KENTUCKY GIRL was the fifth, defined the state-of-the-art for serious country enthusiasts of the era.
  • By the time BLUE KENTUCKY GIRL was recorded, Harris' already impressive taste in material had reached near perfection. Particularly inspired choices here include the George Jones rarity "Beneath Still Waters," the Louvin Brothers' "Every Time You Leave," and Jean Ritchie's gorgeous "Sorrow in the Wind." Among the more obvious-but equally fine-choices are the Hank Williams Sr. hit "They'll Never Take His Love from Me," Gram Parsons' "Hickory Wind," and Rodney Crowell's "Even Cowgirls Get the Blues," the last featuring Dolly Parton and Linda Rondstadt on harmony vocals.
Professional Reviews
Entertainment Weekly (2/27/04, p.99) - "[Harris] drew on [Gram Parsons's] earthy country eclecticism and blossomed." - Rating: A-

Q (4/04, p.132) - 3 stars out of 5 - "[T]his is where Harris started a journey that has begat a canon..."

Uncut (4/04, p.112) - 4 stars out of 5 - "[H]er first pure country record..."
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