Born Under A Bad Sign [Stax Remasters]

Rating

Album: Born Under A Bad Sign [Stax Remasters]
#	Song Title		Time
1)	Born Under a Bad Sign	More Info...
2)	Crosscut Saw	More Info...
3)	Kansas City	More Info...
4)	Oh Pretty Woman	More Info...
5)	Down Don't Bother Me	More Info...
6)	The Hunter	More Info...
7)	I Almost Lost My Mind	More Info...
8)	Personal Manager	More Info...
9)	Laundromat Blues	More Info...
10)	As the Years Go Passing By	More Info...
11)	The Very Thought of You	More Info...
12)	Born Under a Bad Sign (Take 1)	More Info...
13)	Crosscut Saw (Take 1)	More Info...
14)	The Hunter (Take 1)	More Info...
15)	Personal Manager (Take 15)	More Info...
16)	Untitled Instrumental	More Info...

Album: Born Under A Bad Sign [Stax Remasters]
#	Song Title		Time
1)	Born Under a Bad Sign	More Info...
2)	Crosscut Saw	More Info...
3)	Kansas City	More Info...
4)	Oh Pretty Woman	More Info...
5)	Down Don't Bother Me	More Info...
6)	The Hunter	More Info...
7)	I Almost Lost My Mind	More Info...
8)	Personal Manager	More Info...
9)	Laundromat Blues	More Info...
10)	As the Years Go Passing By	More Info...
11)	The Very Thought of You	More Info...
12)	Born Under a Bad Sign (Take 1)	More Info...
13)	Crosscut Saw (Take 1)	More Info...
14)	The Hunter (Take 1)	More Info...
15)	Personal Manager (Take 15)	More Info...
16)	Untitled Instrumental	More Info...

Performer Notes

Personnel includes: Albert King (vocals, guitar); Joe Arnold (horns); Isaac Hayes (piano).
Booker T. & The MG's: Booker T. Jones (piano); Steve Cropper (guitar); Donald "Duck" Dunn (bass); Al Jackson, Jr. (drums).
The Memphis Horns: Wayne Jackson, Andrew Love (horns).
Recorded at Stax Recording Studio, Memphis, Tennessee between March 1966 and June 1967.
Personnel: Albert King (vocals, guitar); Donald "Duck" Dunn, Steve Cropper (guitar); Joe Arnold, Andrew Love, Wayne Jackson (horns); Isaac Hayes, Booker T. Jones (piano); Al Jackson, Jr. (drums).
Audio Remasterer: Joe Tarantino.
Liner Note Author: Bill Dahl.
The giant left-handed guitarist was no stranger to the recording studio by 1966, but Albert King had still to make his mark with the record-buying public. When he linked up with the cream of Stax's Memphis musicians, including Booker T. And The MGs and the Memphis Horns, that connection was made. "Laundromat Blues", "Oh, Pretty Woman" and "Crosscut Saw" set the scene for "Born Under A Bad Sign" and "The Hunter", which quickly found their way into the repertoires of Cream and Free. The convolutions of his guitar style were perfectly complemented by the trademark Stax funk rhythms. The team went on to make many more singles and albums, none of which could surpass the achievements of their first meeting.

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