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Christine and the Queens
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Album: Christine and the Queens
# Song Title   Time
1)    iT
2)    Saint Claude
3)    Tilted
4)    No Harm Is Done
5)    Science Fiction
6)    Paradis Perdus
7)    Half Ladies
8)    Jonathan
9)    Narcissus Is Back
10)    Safe and Holy
11)    Night 52
12)    Here
 
Product Details
Performer Notes
  • Personnel: Lucy Wilkins, Laura Melhuish, Kate Robinson, Alison Dods, Julia Singleton, Matt Ward, Sally Herbert, Calina de la Mare (violin); Vincent Greene, Robert Spriggs, Reiad Chibah (viola); Sarah Willson, Chris Worsey (cello); Lucy Shaw (upright bass).
  • Recording information: 123 Studios, London; Les Studio Saint Germain, Paris; RAK Studios, London; Smikehouse Studios, London.
  • Photographer: D.R.
  • It took a while to introduce Christine and the Queens' self-described "freakpop" to the world. The group's debut album first arrived in 2014 as Chaleur Humaine in frontwoman Hlose Ltissier's native France, then it was issued in the United States in 2015 as Christine and the Queens, and finally as a deluxe U.K. edition of Chaleur Humaine in early 2016. The acclaim for the album -- whatever its title -- only grew with each release, and rightfully so: Christine and the Queens don't just embrace differences, they see them as beautiful. Within the album's lovely synth pop, there's strangeness and strength; "I'm doing my face with magic marker," Ltissier sings on "Tilted," a subtly irresistible track with the power of an anthem in the making. A similar independence pulses through the gorgeous "Saint Claude," which depicts the moment of walking away or committing entirely with heart-stopping beauty. As the album unfolds, Christine reveals herself as less of a disguise and more of a prism for Ltissier's distinctive outlook. She addresses her pansexuality throughout the album, subtly on songs like the aforementioned "Tilted" and more directly on "Half Ladies" and "iT," a call-and-response track with the Queens where her backing band sings "She's a man now/And there's nothing we can do." This fluidity extends to the ease with which Ltissier blends French traditions with contemporary pop, hip-hop, and R&B. She mixes all of the above on "Paradis Perdus," an interpolation of Kanye West's "Heartless" and Christophe's 1973 hit "Les Paradis Perdus," transforming them into something with its own emotive power. Elsewhere, Christine and the Queens balance the urgency of songs such as "No Harm Is Done" and "Safe and Holy" and gentler moments like the Perfume Genius duet "Jonathan" and "Night 52" with a grace reflecting Ltissier's former life as a dancer. Indeed, Christine and the Queens' emotional and musical agility only makes their heartfelt, thoughtful pop that much richer and rewarding. ~ Heather Phares
Professional Reviews
Pitchfork (Website) - "Most of the songs are built from tapestries of microbeats that have an organic, sinewy feel, unfolding with the intricate flow of a centipede's spine."
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