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Album: Enlightened Rogues
# Song Title   Time
1)    Crazy Love More Info... 3:44
2)    Can't Take It With You More Info... 3:35
3)    Pegasus More Info... 7:32
4)    Need Your Love So Bad More Info... 4:03
5)    Blind Love More Info... 4:43
6)    Try It One More Time More Info... 5:04
7)    Just Ain't Easy More Info... 6:07
8)    Sail Away More Info... 3:35
 
Product Details
Performer Notes
  • Allman Brothers Band: Gregg Allman (vocals, Fender Rhodes, Clavinet, organ); Dickey Betts (vocals, acoustic, electric & slide guitars); "Dangerous" Dan Toller (acoustic & electric guitars); David "Rook" Goldflies (bass); Butch Trucks (drums, congas, background vocals); "Jaimoe" Johanny Johanson (drums, congas).
  • Additional personnel: Jim Essery (harmonica); Joe Lala (percussion); Mimi Hart, Bonnie Bramlett (background vocals).
  • Recorded at Criteria Studio, Miami, Florida.
  • All tracks have been digitally remastered.
  • Personnel: Dickey Betts (vocals, guitar, acoustic guitar, electric guitar, slide guitar, background vocals); Gregg Allman (vocals, Fender Rhodes piano, Clavinet, organ, keyboards, background vocals); Mimi Hart, Bonnie Bramlett (vocals, background vocals); Dan Toler (guitar, acoustic guitar, electric guitar); Jim Essery (harmonica); Butch Trucks (drums, congas, percussion, background vocals); Jaimoe (drums, congas, percussion); Joe Lala (percussion).
  • Recording information: 12/1978-01/1979.
  • Unknown Contributor Roles: Dan Toler; David Goldflies; Dickey Betts; Gregg Allman; Butch Trucks.
  • The Allman Brothers closed out the '70s with a solid if unspectacular set that's aged better than one might have expected. It may not be particularly innovative, but it lacks nothing in the grit and sass departments.
  • The album begins ("Crazy Love") the way it ends ("Sail Away"), which is to say with two dive-bomb blasts of Dickie Betts' slide guitar. In between there's a nod to John Lee Hooker with "Can't Take It With You," the Chicago blues shuffle of "Need Your Love So Bad," and "Try It One More Time," a '60s style soul ballad. The most interesting piece here, however, is Betts' "Pegasus," a complex instrumental that opens in vaguely Latin mode, segues into some jazz-fusion passages, and concludes with a modal psychedelic jam that seems a homage to some of the San Francisco bands of the '60s.
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