Tracks

1. Come Fly With Me

2. Love And Marriage

3. I've Got You Under My Skin

4. Just One Of Those Things

5. Witchcraft

6. (Love Is) The Tender Trap

7. That Old Black Magic

8. They Can't Take That Away From Me

9. All The Way

10. I've Got The World On A String

11. Fools Rush In

12. Three Coins In The Fountain

13. It's Nice To Go Trav'ling

14. I Love Paris

15. Chicago

16. High Hopes

17. Young At Heart

18. I Get A Kick Out Of You

19. Learnin' The Blues

20. My Funny Valentine

21. The Lady Is A Tramp

22. Let's Get Away From It All

23. South Of The Border

24. It Happened In Monterey

25. You'd Be So Nice To Come Home To

26. Come Dance With Me

27. September In The Rain

28. Cheek To Cheek

29. Moonlight In Vermont

30. Night And Day

31. The Sunny Side Of The Street

32. I Could Have Danced All Night

33. You Make Me Feel So Young

34. Nice And Easy

35. Here's That Rainy Day

36. Pennies From Heaven

37. April In Paris

38. From Here To Eternity

39. Someone To Watch Over Me

40. In The Wee Small Hours Of The Morning

41. I Thought About You

42. Too Marvellous For Words

43. Autumn Leaves

44. Dancing In The Dark

45. All Of Me

46. As Time Goes By

47. September Song

48. One For My Baby

Performer Notes

This box set includes three discs that cull from the Chairman's work for Capitol records, including classic recordings of "I've Got You Under My Skin," "Witchcraft," and "Lady is a Tramp."
Short of purchasing the entire EMI/Capitol Frank Sinatra set, it is very hard to argue with this three-disc collection of stone classics from the key years of 1953-1961. There are 51 cuts here, all in pristine remastered sound, with Frank fronting the Nelson Riddle Orchestra. The set might come at a small price premium, but given the extensive liner notes, sequencing, presentation, and wealth of music featured here, it becomes a nearly unbeatable collection against anything in comparable size or price range. Sinatra was at his absolute zenith here, finding not only the chops to match his confidence, but gaining so much ground as an interpreter of ballads. He moved sharply away from the soft crooning style of his days fronting the big bands to something far more emotive, dynamic, and communicative throughout the 1950s and on through the early '70s. This is a great set that can serve as a stellar introduction -- along with a single- or double-disc best-of from the Reprise years -- or top-choice nuggets pick for those looking to go deep but not exhaustive in his catalog. ~ Thom Jurek

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