Rolling Stone (4/11/02, p.132) - 3 stars out of 5 - "...A lovely, strangely comforting collection of electronic introspection, mood and shadow."

Spin (May 2002, pp.120-122) - 8 out of 10 - "...The Scottish duo favors smudgy, just slightly out-of-tune analog synth tones evocative of faded home movies and washed-out photographs....a thoroughly satisfying album..."

Entertainment Weekly (3/22/02, p.110) - "...Murky electronic grooves lurch forward llike industrial bilge through a junkyard....Their depth-of-field approach is abstract but has just enough focus to sustain clarity..." - Rating: B+

Q (4/02, p.110) - 4 out of 5 stars - "...A labyrinth of melodic and textural twists that enthrals rather than assaults..."

Uncut (1/03, p.95) - Ranked #22 in Uncut's "100 Best Albums of the Year" - "...An antidote to the ongoing chill-out fad..."

Alternative Press (5/02, p.78) - 7 out of 10 - "...Experimental and brave..."

Magnet (6-7/02, p.76) - "...A rare 2nd album that matches a brilliant debut..."

Mojo (Publisher) (1/03, p.75) - Ranked #16 in Mojo's "Best Albums of 2002"

Mojo (Publisher) (April 2002, p.112) - "...66 minutes of pure tones, pensive clanks and chopped-up nature film commentaries..."

NME (Magazine) (2/16/02, p.39) - 9 out of 10 - "...Easily the electronic album of the year....Deliciously saturated with the recurring motifs which have marked them out as an individual voice in electronic music...a meeting of the natural with the digital, and here it's eerier than ever before..."