Glass

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Album: Glass: Music in 12 Parts / Philip Glass Ensemble
#	Song Title	Time
1)	Music in Twelve Parts, for chamber ensemble: Part 1
2)	Music in Twelve Parts, for chamber ensemble: Part 2
3)	Music in Twelve Parts, for chamber ensemble: Part 3
1)	Music in Twelve Parts, for chamber ensemble: Part 4
2)	Music in Twelve Parts, for chamber ensemble: Part 5
3)	Music in Twelve Parts, for chamber ensemble: Part 6
1)	Music in Twelve Parts, for chamber ensemble: Part 7
2)	Music in Twelve Parts, for chamber ensemble: Part 8
3)	Music in Twelve Parts, for chamber ensemble: Part 9
1)	Music in Twelve Parts, for chamber ensemble: Part 10
2)	Music in Twelve Parts, for chamber ensemble: Part 11
3)	Music in Twelve Parts, for chamber ensemble: Part 12

Album: Glass: Music in 12 Parts / Philip Glass Ensemble
#	Song Title	Time
1)	Music in Twelve Parts, for chamber ensemble: Part 1
2)	Music in Twelve Parts, for chamber ensemble: Part 2
3)	Music in Twelve Parts, for chamber ensemble: Part 3
1)	Music in Twelve Parts, for chamber ensemble: Part 4
2)	Music in Twelve Parts, for chamber ensemble: Part 5
3)	Music in Twelve Parts, for chamber ensemble: Part 6
1)	Music in Twelve Parts, for chamber ensemble: Part 7
2)	Music in Twelve Parts, for chamber ensemble: Part 8
3)	Music in Twelve Parts, for chamber ensemble: Part 9
1)	Music in Twelve Parts, for chamber ensemble: Part 10
2)	Music in Twelve Parts, for chamber ensemble: Part 11
3)	Music in Twelve Parts, for chamber ensemble: Part 12

Performer Notes

Personnel: Philip Glass (keyboards); Lisa Bielawa (vocals); Andrew Sterman (flute, soprano saxophone); Richard Peck (alto saxophone, tenor saxophone); Martin Goldray, Michael Riesman (keyboards).
Audio Mixers: Ichiho Nishiki; Michael Riesman.
Liner Note Authors: Philip Glass; Lisa Bielawa; Michael Riesman; Andrew Sterman.
Recording information: Rovereto, Italy.
Editor: Ichiho Nishiki.
Philip Glass is renowned for his style of pattern music, presented in its most developed form in this early work, still one of his best. Glass developed a method of writing that simultaneously retained the sense of the timeless "present" while bringing new thoughts about melody and harmony in a non-virtuosic sense. On Music in Twelve Parts (as well as his opera Akhnaten), these ideas are very elegant and profound, while at times Glass verges on the direct appeal of a movie-music sensibility as in 1000 Airplanes on the Roof. For having this range, he remains a very controversial composer. ~ "Blue" Gene Tyranny

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