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Graham Nash  & David Crosby

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Graham Nash & David Crosby

Artist: David Crosby/Graham Nash/Crosby & Nash

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Label: Rhino (Label)
Album: Graham Nash & David Crosby
# Song Title   Time
1)    Southbound Train
2)    Whole Cloth
3)    Blacknotes
4)    Strangers Room
5)    Where Will I Be?
6)    Page 43
7)    Frozen Smiles
8)    Games
9)    Girl to Be on My Mind
10)    Wall Song, The
11)    Immigration Man

Performer Notes
  • Personnel: David Crosby (vocals, guitar, acoustic guitar, electric guitar); Graham Nash (vocals, guitar, acoustic guitar, harmonica, piano, organ, keyboards); Crosby & Nash (acoustic guitar, electric guitar); Jerry Garcia (guitar, steel guitar); Danny Kortchmar, Dave Mason, David Mason , Danny Kootch (guitar); Dana Africa (flute); Arthur Maebe, David Duke , George Price (French horn, horns); Craig Doerge (piano, electric piano, organ, keyboards); Chris Ethridge (keyboards); John Barbata, Russ Kunkel, Bill Kreutzmann (drums).
  • Liner Note Author: Claude Nobs.
  • Recording information: Wally Heider III, Los Angeles, CA (1972).
  • Photographer: Robert Hammer.
  • This self-titled release is one of -- if not arguably the -- most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash. The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies. In the wake of the enormous successes garnered by the albums Crosby Stills & Nash, D‚j… Vu, and Four Way Street, the principal members were essentially given carte blanche studio access to pursue solo projects as well. This release is the first in what would turn out to be a series of collaborative efforts between Crosby and Nash. Musically it continues in much the same vein as their respective debut solo releases, If I Could Only Remember My Name and Songs for Beginners. Nash's contributions include "Girl to Be on My Mind," "Stranger's Room," and "Southbound Train" -- a twangy piece of Americana featuring a high and lonesome steel guitar solo from Jerry Garcia that likewise hearkens to the Grateful Dead's American Beauty, Elton John's Tumbleweed Connection, or the Band's Music From Big Pink. These tracks co-exist in stark contrast to Crosby's more cerebral and incisive contributions, such as "Whole Cloth," "Games," and "The Wall Song." The latter features some outstanding instrumental support from the Grateful Dead's Jerry Garcia (guitar), Phil Lesh (bass), and Billy Kreutzman (drums). The core band revolves around another set of all-stars: Russell Kunkel (drums), Leland Skylar (bass), Craig Doerge (keyboards), and Danny "Kootch" Kortchmar (guitar). This same band would more or less continue to back up Crosby and Nash's duo efforts throughout the remainder of the '70s. Graham Nash/David Crosby offers much of the same unique songwriting and personal style which informed their better contributions not only to the CSN-related efforts, but as far back as their offerings with the Hollies and the Byrds. Interested enthusiasts are also urged to locate Another Stoney Evening -- a live acoustic release from October 10, 1971 -- which includes seminal live versions of "Southbound Train," "Where Will I Be," "Immigration Man," and "Stranger's Room." ~ Lindsay Planer

Producer:David Crosby; Graham Nash; Bill Halverson; Crosby & Nash
Format:CD (0 Disc); Stereo
Studio/Live: Studio
Release Date:24 June, 2008
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1 review(s)
All Reviews
Ashwin on
Well, this is the gem of the entire CSNY catalogue! Crosby and Nash never sounded better, never played better, never wrote better, and their back up band was spot on from the first note to the last. I remember walking down Bloor Street when I first heard this from a record shop. I was hooked. I wore out 6 vinyl copies of this.
Crosby and Nash seemed positively liberated from the chains that went with being in the Supergroup that was more ego than substance. For all of Neil's posturings, at this point in their career, Cros and Nash were the best songwriters in rock music, touching on themes of life, death, love and environment with a poignancy any writer would sell their soul for.
"Carry Me" has come back to me as a source of comfort several times when I've lost friends to Aids/Cancer/Tragedy. "Mama Lion" is a wonderful tribute to a lover who has so affected your life that even though you are no longer with him/her, it is their positive influence, not the negative that lives with you, eh Nina? "Wind on the Water" is the quintessential environmental track, and Nash hit his zenith here as a creative writer. Sheer profundity as Cros would often comment. "Cowboy of Dreams" would reference Neil more accurately than anything I've ever heard or read. The musicianship is a wonder to behold on this: looser, now that they were both free of Stills' maniacal control issues and Neil's passive aggressive mind games, this is the essence of what David and Graham were capable of.
Live, they were tremendous during this period. That probably fed Crosby's ego enough to convince himself that he was handling his drug problems. Six to nine months after this, he was teetering on becoming useless as a creative songwriter. Well, this was still to come.
At this point, with this release, they were brilliant. It is evident in the confidence seen on their faces in the cover photo, and it carries all the way through every single track. Well done, a true diamond.

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